Thursday, July 29, 2010
Ringo Starr - Jubilee Auditorium - Calgary - July 28th, 2010.
Last night the wife and I had the great fortune to attend Ringo Starr's All Starr Band concert last night in Calgary and indeed we were nothing short of star struck! In a two-hour show Wednesday night featuring his 11th All-Starr Band, Ringo showed why he is a beloved Beatle with his warm sense of humor, wit and muscianship. Starr delivered a strong set featuring Fab Four classics, his trademark Beatles numbers, timeless solo hits and afew new numbers and several tunes by his bandmates that are musical monsters in rock ‘n’ roll history and ones that tore up the charts during the 1970s, 1980s and 1990s.
The backdrop for the stage was a huge, psychedelic star adorned with star-gazer lilies and the sold-out hall was filled with a different sort of audience than I’d become accustomed to seeing at rock concerts — old and new school hippies, Beatles fans, 70s-era music alumni, and fans of this year’s 11th line-up of All Starrs. The “All Starr” label is, indeed, intended a pun. In his 11th line-up, Ringo was supported by Edgar Winter, Gary Wright, Wally Palmer, Richard Page, Rick Derringer, and Gregg Bissonette, all popular in their own right, with a hit or two to offer, but not likely names you’d associate with super stardom. Ringo was definitely the name that held it all together, though it was an amazing gathering of first class musicians.
The lights dimmed, the applause started and the All Starrs came out and introduced their frontman, Ringo Starr, who took the stage with hands held up in peace signs and face wearing a big smile. Everyone jumped to their feet to give him the standing ovation he deserved. For being in his seventh decade, Ringo looked great and seemed to be feeling good and full of energy. The BeatleMania and perhaps the corny-nostalgic part of me fought off a tear while staring in awe at this legend of rock music.
The band launched into “It Don’t Come Easy” during the sold-out performance and out came Ringo, dressed all in black to front the stage for the opener, “Honey Don’t,” and the more recent “Choose Love.”
“It’s great to be here,” Starr said. “This is a historic musical memory.” Three songs into the set, they changed things up, and the crowd loved it.
Then Ringo went to man the drums, turning over the set to his band: sharpshooters including saxophone/keyboard virtuoso Edgar Winter, bassist Richard Page, guitarist Rick Derringer, Wally Palmar on guitar, Gary Wright on keyboards and Greg Bissonette on drums. Talk about some musical history.
Ringo introduced Rick Derringer, formerly the lead singer of the McCoys, who said his parents were at the show and claimed “They still have the Billboard chart where the McCoys song was #1 and the Beatles’ ‘Yesterday’ was #2, although that only lasted a week.” Then the band played that old aforementioned #1 hit, “Hang on Sloopy.” The show had officially taken off. The chemistry between these guys was amazing and it was great to see a group of musicians reminisce, rock out and just have fun some good-old fashioned fun. Edgar Winter took the spotlight next and busted out the 70’s classic “Free Ride” complete with a sweet solo on a keyboard that hung from a strap around his neck. He claimed he was the first musician to play keys this way, and did it so he could move around the stage and not be stuck in one place. Winter then introduced Wally Palmer, a Detroit native who played with The Romantics, and kept the crowd going. Everyone was singing along to “Talking in Your Sleep,” and for this piece, multi-instrumentalist Winter contributed a great sax solo.
They threw the Beatles classic “I Wanna Be Your Man” into the rotation, then introduced Gary Wright for the segue into “Dream Weaver,” Wright attributing some of his inspiration for the song to George Harrison. Wright discussed how Harrison had given him a book on spiritualism when the two took a trip to India. From that book, Wright came up with the words for the huge 1974 hit “Dream Weaver.”
What makes the All-Starr bands so special are all of the other songs they are able to play from the members’ backgrounds.
Ringo and His Starrs played all the hits you’ve heard on the radio for decades, the ones so contagious, you know all the words but could never get sick of. Richard Page, the former lead and bass player of Mr. Mister, took the lead to play the “Kyrie,” prompting the entire audience to clap along to the beat. With that, they’d finished the first rotation and moved onto the next, throwing Ringo back into the spotlight here and there. Each of Ringo’s players had the chance to rock out to their fullest and amp up the audience to the max. There was almost a sense of the surreal with this continuous barrage of one classic song followed by the next. I remarked to my wife several times throughout the evening, “this feels like high school circa 1973!” And how sweet it was to be treated to this fest for the eyes and ears last night!
It was one of those great concerts where, instead of being tired and wondering how long they’ll play or when it will end, you can’t wait to hear what’s next. Of course, the night belonged to Ringo. He assumed command of the show with Beatles’ songs “Boys” and “Act Naturally” and solo 1970s hits “Back Off Boogaloo” and “Photograph.” And then Ringo dipped into a song from the album that shook the world: “Sgt. Pepper’s Lonely Hearts Club Band.”
They played for two hours and closed the show with a tune that Ringo claimed hadn’t gotten such a good response at their other shows. He said he’d leave it up to the Clearwater audience to decide whether or not to keep it on the set list.
When they launched into “With a Little Help from My Friends,” the crowd went completely nuts, therefore sealing the fate of the song’s inclusion in future set lists. For the first time since the beginning of the show, everyone in the audience was standing, most of them singing and dancing, too. The big finale was a Lennon-esque tribute of “Give Peace a Chance.” Ringo left the stage to yet another standing ovation, the audience sending waves of love his way. The All Starrs took their final bows and disappointingly, no one returned for an encore. The crowd left the hall happy and buzzing on a music high, nonetheless, the awesome blast from the past by Ringo and his All Starr Band a most welcome Wednesday night treat for these thirsty ears!
July 28, 2010 All Starr Set list:
It Don’t Come Easy
Honey Don’t
Choose Love
Hang on Sloopy
Free Ride
Talking in Your Sleep
I Wanna Be Your Man
Kyrie
The Otherside of Liverpoole
Yellow Submarine
Frankenstein
Peace Dream
Back Off Boogaloo
What I Like About You
Rock And Roll Hootchie Coo
Boys
Broken Wings
Photograph
Act Naturally
With A Little Help from My Friends/Give Peace a Chance Finale!
Up next…McCartney!
Sunday, July 18, 2010
Some Girls Alternates and Outtakes - Rolling Stones - 1978.
Some Girls is easily my second favourite Stones album, after Sticky Fingers.
A lot of Stones studio recordings from the late 70s circulate on a dizzying amount of overlapping collections, which are cobbled together with little rhyme or reason.
I have gathered the outtakes I have of the album's 10 songs. I'm hesitant to say this set is complete -- especially since I found a few late additions a couple of weekends ago (and some take #s are missing) -- but it's close.
Disc 1
Miss You II 11:44
Miss You III 7:27
Miss You IV 9:24
When The Whip Comes Down I 9:55
When The Whip Comes Down II 7:23
When The Whip Comes Down III 10:31
Just My Imagination I or II 2:45
Just My Imagination III 7:12
Just My Imagination IV 6:51
Disc 2
Some Girls I 6:29
Some Girls II 5:14
Lies I 3:41
Lies II 4:14
Lies III 3:49
Far Away Eyes I 4:36
Far Away Eyes II 5:33
Respectable I 3:52
Respectable III 3:49
Before They Make Me Run I 4:34
Before They Make Me Run IV 3:18
Beast Of Burden I 5:05
Shattered I 3:23
Shattered II 3:46
Bonus:
Miss You (8-Track/+ :52) 5:40
Far Away Eyes (Single/- :47) 3:37
Beast Of Burden (8-Track/+ :46) 5:11
Shattered (Single/- 1:08) 2:39
The last four are different edits of the LP tracks, which were either released as 45s or included on 8-track. I have noted the approximate differences in time.
http://rapidshare.com/files/273082391/SG-CD1.zip
http://rapidshare.com/files/273576960/SG-CD2.zip
Thanks to Redsock!
A lot of Stones studio recordings from the late 70s circulate on a dizzying amount of overlapping collections, which are cobbled together with little rhyme or reason.
I have gathered the outtakes I have of the album's 10 songs. I'm hesitant to say this set is complete -- especially since I found a few late additions a couple of weekends ago (and some take #s are missing) -- but it's close.
Disc 1
Miss You II 11:44
Miss You III 7:27
Miss You IV 9:24
When The Whip Comes Down I 9:55
When The Whip Comes Down II 7:23
When The Whip Comes Down III 10:31
Just My Imagination I or II 2:45
Just My Imagination III 7:12
Just My Imagination IV 6:51
Disc 2
Some Girls I 6:29
Some Girls II 5:14
Lies I 3:41
Lies II 4:14
Lies III 3:49
Far Away Eyes I 4:36
Far Away Eyes II 5:33
Respectable I 3:52
Respectable III 3:49
Before They Make Me Run I 4:34
Before They Make Me Run IV 3:18
Beast Of Burden I 5:05
Shattered I 3:23
Shattered II 3:46
Bonus:
Miss You (8-Track/+ :52) 5:40
Far Away Eyes (Single/- :47) 3:37
Beast Of Burden (8-Track/+ :46) 5:11
Shattered (Single/- 1:08) 2:39
The last four are different edits of the LP tracks, which were either released as 45s or included on 8-track. I have noted the approximate differences in time.
http://rapidshare.com/files/273082391/SG-CD1.zip
http://rapidshare.com/files/273576960/SG-CD2.zip
Thanks to Redsock!
Thursday, July 15, 2010
Phil Spector's Flips and Rarities.

For the next upload, I've decided to offer Phil Spector's Flips and Rarities. This is not a perfect compilation by any means; some of the songs have no Spector involvement whatsoever (though some of these soundalikes, such as Lesley Gore's "To Know Him Is To Love Him," are indeed really cool). But the whole set is worth it for such wonderful Spector productions as Gene Pitney's "Dream for Sale" and "Mr. Robin" by The Spectors Three. And on top of it all, you get the legendary kiss-off "The Screw." What mono-head could ask for more?
Certainly this is an unauthorized CD compilation of rare 1960s tracks that Phil Spector had something to do with, as either producer, songwriter, or even artist. There's no label (though there is a catalog), but it certainly does exist, and was, as of 2001, available for sale at specialized record stores with extremely deep stock. Just because Spector was involved in a record didn't necessarily mean it was good, and the merits of this 30-song anthology are extremely erratic, though there are some undoubted high points. Most of these are run-of-the-mill early-'60s tracks that weren't hits for a reason: The songs were trivial and not that hot. And most of them don't have an identifiably Spectoresque sound, in part because on several of them he was only involved as a songwriter, in part because some of them predate his true Wall of Sound techniques. Some of these cuts are good, or at least okay, like Gene Pitney's "Dream for Sale" (which actually isn't too rare), Bonnie & the Treasures' "Home of the Brave," April Stevens' breathy "Why Can't a Boy and Girl Just Stay in Love" (which Spector co-wrote with Nino Tempo), Johnny Nash's "World of Tears," and Veronica's "Why Don't They Let Us Fall in Love" (which is actually Ronnie Spector of the Ronettes). Sonny Charles & the Checkmates "Black Pearl" is very good, and was a pretty big hit in 1969, but why it's included here isn't too clear, as it's been officially released as part of Spector's Back to Mono box. There are also items that fall into the novelty realm, like the guitar instrumental "Bumbershoot" that Phil Spector cut under the alias Phil Harvey, and the ridiculous Crystals B-side "The Screw (Let's Dance)," a throwaway track interrupted by poker-faced admonitions to "do the screw" (spoken by Spector's lawyer). Overall this is interesting to acquire for dedicated Spector enthusiasts, but the utter lack of liner notes (though at least there are songwriting credits) is a major strike against its value. There are no clues as to why some tracks, like Santo & Johnny's "Spanish Harlem," are considered to have any Spector associations whatsoever. The sound quality is pretty good, but the tracks have almost certainly (sometimes quite audibly so) been taken from vinyl records rather than master tapes.
I Idolize You-Ike And Tina Turner
Black Pearl-Sonny Charles And Checkmates
Dream For Sale-Gene Pitney
Some Of Your Loving-Johnny Nash
World Of Tears-Johnny Nash
When You Dance-Billy Storm
Spanish Harlem-Santo And Johnny
Mr Robin-Spectors 3
Some Of Your Lovin-Emil O Conner
I Love You Betty-Terry Day
That`s All Right Baby-Gary Crosby
Yes I Love You-Paris Sisters
That's What Girls Are For-Timothy Hay
Where Can You Be-Tony And Joe
Raincoat In The River-Sammy Turner
To Know Him Is To Love Him-Lesley Gore
Be My Girl-Ray Peterson
Unchained Melody-Blackwells
Oh Why-Teddy Bears
Home Of The Brave-Bonnie and the Treasures
Why Can`t A Bpy And Girl Just Stay In Love-April Stevens
Why Don`t They Let Us Fall In Love-Veronica
The Screw-Crystals
Bumbershoot-Phil Harvey
Woman In Love-Ronettes
Quiet Guy-Darlene Love
Here It Comes And Here I Go-Jeri Bo Keno
Puddin N Tain-Alleycats
Dream For Sale-Joey Paige
I'm So Happy-Ducanes
http://www.megaupload.com/?d=8ZA08WBP
Thanks to Tom Sawyer
The Ronettes - The Ultimate Collection!! - Flac!


The sound? Remastered excellence. The selection? Do you get all 36 of the Ronettes' ever-recorded tracks? No. But you get most of the good stuff, and all the great stuff. Do not hesitate!
Forget the Abkco label stuff, here are the fabulous Ronettes singing 29 great songs, with all but a handful in TRUE STEREO. Any stereo mixes of early Phil Spector "Wall of Sound" recordings are exceedingly rare, but on this collection you are in for a treat as such classics as "Be My Baby", "Baby I Love You" and "Walking In The Rain" unfold on on a wide STEREO soundstage, taking your breath away like those narrow, tinny and very busy (transistor radio) sounding versions NEVER could. A few, like "I Can Hear Music", aren't available in stereo, but at least they're included here. And three of their Christmas classics also appear here in wide stereo! All other Ronettes collections will be either mono or remakes; again, THIS is the real deal, the original hits, mostly all in stereo.
There are not many CD releases to find with Phil Spector's The Ronettes. This collection contains 28 tracks, of which 23 are Spector productions, the other five come from the group's 1962 pre-Spector album.
According to the very cheap looking cover, the songs are digitally remastered, and most tracks sounds clearer than on the 1992 abkco release "The Best of Ronettes". Some tracks do sound somewhat metallic, and in some cases, there is outright distortion - for instance on "Lovers". You can have your doubts whether the people behind the remastering have had had access to the original master tapes. You would expect that the sound presentation could have been better and the general impression of the CD is that of a bootleg, with its very cheap one-sheet cover; badly printed with lots of factual errors on the songwriting credits.
Most tracks sound however do sound acceptable, and the songs are indeed in many cases brilliant.
The band's second album, "Presenting the Fabulous Ronettes" is represented in its entirety, and it actually could appear a little like a greatest hits album with tracks like "Be My Baby," "Walking in the Rain," "You Baby" and "Baby I Love You" - all great songs that really deserve a better presentation.
Inexplicably, the group had difficulty in maintaining the popularity achieved by the two big hits "Be My Baby" and "Baby I Love You" in 1963. Despite several excellent single releases during 1964-66, the group's singles never again reached the top 20. "The Best Part of Breaking Up," "Walking in the Rain," "Is This What I Get For Loving You Baby," "Here I Sit," "Keep On Dancing" and "I Can Hear Music" all sound sound like sure hit-songs.
This release contains the majority of what the group recorded with Spector, and it is definitely worth a listen. After a recording break of 2-3 years in 1969 the group released their last single, "You Came, You Saw, You Conquer". The song is missing on this release, but in turn, the fine B-side "Oh, I Love You" is included - in reality a much better track.
The Ronettes - Ultimate Collection
Flac 456mb Includes Covers
(01) Recipe For Love - Ronettes - The Ultimate Collection.flac
(02) I Want A Boy - Ronettes - The Ultimate Collection.flac
(03) Be My Baby - Ronettes - The Ultimate Collection.flac
(04) (Best Part Of…) Breaking Up - Ronettes - The Ultimate Collection.flac
(05) Baby I Love You - Ronettes - The Ultimate Collection.flac
(06) You Baby - Ronettes - The Ultimate Collection.flac
(07) Do I Love You - Ronettes - The Ultimate Collection.flac
(08) Good Girls - Ronettes - The Ultimate Collection.flac
(09) Silhouettes - Ronettes - The Ultimate Collection.flac
(10) You Bet I Would - Ronettes - The Ultimate Collection.flac
(11) I*m Gonna Quit While I*m Ahead - Ronettes - The Ultimate Collection.flac
(12) I Wonder - Ronettes - The Ultimate Collection.flac
(13) Chapel Of Love - Ronettes - The Ultimate Collection.flac
(14) Is This What I Get For Loving You - Ronettes - The Ultimate Collection.flac
(15) Here I Sit - Ronettes - The Ultimate Collection.flac
(16) Soldier Baby - Ronettes - The Ultimate Collection.flac
(17) Why Don*t They Let Us Fall In Love - Ronettes - The Ultimate Collection.flac
(18) How Does It Feel - Ronettes - The Ultimate Collection.flac
(19) Walking In The Rain - Ronettes - The Ultimate Collection.flac
(20) Woman In Love - Ronettes - The Ultimate Collection.flac
(21) I Can Hear Music - Ronettes - The Ultimate Collection.flac
(22) Oh I Love You - Ronettes - The Ultimate Collection.flac
(23) Lovers - Ronettes - The Ultimate Collection.flac
(24) So Young - Ronettes - The Ultimate Collection.flac
(25) Keep On Dancing - Ronettes - The Ultimate Collection.flac
(26) Paradise - Ronettes - The Ultimate Collection.flac
(27) I Saw Mommy Kissing Santa Claus - Ronettes - The Ultimate Collection.flac
(28) Sleigh Ride - Ronettes - The Ultimate Collection.flac
(29) Frosty The Snowman - Ronettes - The Ultimate Collection.flac
http://rapidshare.com/files/164539382/The_Ronettes-.part1.rar
http://rapidshare.com/files/164539391/The_Ronettes-.part2.rar
http://rapidshare.com/files/164544604/The_Ronettes-.part3.rar
http://rapidshare.com/files/164719650/The_Ronettes-.part4.rar
http://rapidshare.com/files/164706125/The_Ronettes-.part5.rar
Wednesday, July 14, 2010
Hot Wacks! The Wackers 1972. (FLAC)


Absolutely one of the lost pop masterpieces of the '70's...nothing short of a pop holy grail! Tall words indeed but the music speaks for itself! The Wackers were just one of the many very creative and more than competent bands that failed to achieve mainstream success in spite of their talent.
In 1971, the Wackers released a strong debut, lushly produced by Gary Usher. While Usher was no doubt a great producer, some may find his production on Hot Wacks a little too slick. The songs and performances save the day though, and show the band maturing at a rapid rate. Bob Segarini, one of the band’s founders, had been in Family Tree and Roxy prior to forming the Wackers. He’s still on the scene today making albums, and if push comes to shove, I’d say that his other two masterpieces are Miss Butters by Family Tree (1968) and Gotta Have Pop which is a solo effort from the late 1970’s.
Hot Wacks is unquestionably the Wackers best album. Although at times a bit derivative of Abbey Road era Beatles (there’s even a side 2 suite), Hot Wacks is really a lost power pop gem.
I bought Hot Wacks on vinyl in the early 70's due to a review in Rolling Stone. This is one of the most brilliant albums, taken as a complete work, of this period. The Wackers are another example that the air or water in Canada grows great musicians.Unfortunately it proves the rule that more good music dies unknown than bad music gets attention.
Although the mix is a little muddy compared to the best, my guess is that the studio was using the typically crappy transistorized amps which had to be toned down because when recorded accurately, they sounded like fingernails on a blackboard.
From my perspective, the arrangements on Hot Wacks are inspired. Given the influences that Frank alludes to, Hot Wacks manages consistently to exceed its antecedents, sometimes by a country mile. The vocals float above the backing tracks, which are deceptively simple and incredibly tasty at the same time.
And, not to offend John and Yoko aficionados, the Wackers do a far more than adequate rendition of "Oh, My Love." Whereas Lennon's version is a plaintive realization of his love for Yoko, which seems to lament his previous ignorance, the Wackers' cover celebrates with tenderness the dawn of a new relationship: the first realization that one truly loves their new squeeze. Choose which seems a more honest or inspired interpretation, but don't dismiss The Wackers' because they had the guts to cover an "untouchable" song; they suceed on their own merits.
Each song is as good as the one before and all of them are fun little upbeat pieces. Cuts 7 through 12 made up side 2 of the original LP and run together as a continuous ten minute suite.
I weep for all the bands and performers that sank into obscurity without a blip on music's radar screen: The Wackers, Music Machine, Jules and the Polar Bears, The Records, Bram Tchaikovsky, Television, Nick Drake, the Syd Barrett Pink Floyd.
The Wackers - Hot Wacks (1972)
FLAC (EAC rip) Logs + CUEs cover scans 202 MB incl. 3% recovery (3 files)
Genre: Rock Year: 1972
Tracklist:
01.I Hardly Knew Her Name
02.We Can Be
03.Oh My Love
04.Wait And See
05.Do You Know The Reason
06.Breathe Easy
07.Time Will Carry On
08.Maybe Tomorrow
09.Hot Wacks
10.Anytime/Anyday
11.Find Your Own Way
12.Time Will Carry On [Wont It]
http://rapidshare.com/files/389795223/The_Wackers_-_Hot_Wacks.part1.rar
http://rapidshare.com/files/389796154/The_Wackers_-_Hot_Wacks.part2.rar
http://rapidshare.com/files/389795415/The_Wackers_-_Hot_Wacks.part3.rar
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