Sunday, September 30, 2007

MUSIC POWER _ 22 Original Hits!


This one is from mid-1974 and contains a wide-ranging selection of songs which were sizeable hits in Canada. The biggest US hit here by far is The Sweet's "Little Willy" and that was way back in 1972! The rest were minor hits at best and others - like Gordon Sinclair's truly flesh crawling "The Americans" and Stories' version of a UK Roger Whittaker hit - will be total obscurities to most. Sinclair's offering is one of those where you really do have to hide behind the sofa but there are delights for the unitiated in the Natural Four's smooth and soulful "Can This Be Real" and "Painted Ladies" by Ian Thomas which sounds uncannily like the band America. Whatever you think of the songs, I guarantee you'll love the sound!

Smokin’ In The Boys' Room – Brownsville Station
Spiders And Snakes – Jim Stafford
Rockin’ Roll Baby – Stylistics
Painted Ladies – Ian Thomas
Pillow Talk – Sylvia Robinson
Hurts So Good – Millie Jackson
Mammy Blue – Stories
Pretty Lady – Lighthouse
Where Peaceful Waters Flow – Gladys Knight & The Pips
When You Say Love – Sonny & Cher
The Americans – Gordon Sinclair
Say, Has Anybody Seen My Sweet Gypsy Rose – Dawn
Keeper Of The Castle – Four Tops
Two Divided By Love – Grass Roots
By The Devil (I Was Tempted) – Blue Mink
Oh Girl – Chi-Lites
Can This Be Real – Natural Four
Tonight – Raspberries
Little Willy – Sweet
River – Joe Simon
Drift Away – Dobie Gray
I’ve Got So Much To Give – Barry White
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K TEL SOUNDS SPECTACULAR - 1975





I'm stumbling through the crawlspace in our home looking for God knows what and amidst the rubble I come across a somewhat sealed and tattered box of long forgotten vinyl Lp's that for some inexplicable reason I had never been able to part with and always took up a dusty place in the storage area of the many places I have called home.
These old Lp's date back to my late elementary/ early junior high years in the early to mid 70's and they have trailed along after me ever since.
I have a copy of this in mint condition which I bought from a fantastic record store in Edmonton called called "Millers" which specialised in deleted and obscure albums and was based in a rather spooky but huge old warehouse near Jasper Avenue. Somehow these guys used to buy up huge quantities of overstocked albums from the States - often called "cut-outs" in respect of the way the record companies "cut out" part of the cardboard cover to stop the albums retailing for full price - and would sell them for peanuts. It was heaven for the teenage me.
I remember the check-out guy's face as I once dumped nearly 20 albums on the counter (I counted them!), the fruits of a whole day's digging and delving. Extravagant? No - I got change from a 20 dollar bill!
Did I ever play them? Hell, no, not all of them but they were nice to have!
"Sounds Spectacular" cost me all of 50 cents and it's an eclectic mix.
This one is a 1975 K-Tel collection from the USA - the Canadian version has a very different tracklisting - which contains the usual odd bedfellows. An album which mixes Bachman Turner Overdrive, Frankie Valli, Disco Tex, the Charlie Daniels Band, the Rubettes and Fanny has got to be interesting! Unlike the '75 vinyl edition, these songs all run full length and don't skip! Re-live your mis-spent youth all over again ...Enjoy...and cry your nostalgic eyes out.

1. Gloria Gaynor - Never Can Say Goodbye
2. The Edgar Winter Group - Free Ride
3. Ohio Players - Fire
4. Bachman-Turner-Overdrive - Roll On Down The Highway
5. Golden Earring - Radar Love
6. Redbone - Come & Get Your Love
7. Polly Brown - Up In A Puff Of Smoke
8. Fanny - Butter Boy
9. Rubettes - Sugar Baby Love
10. B.T. Express - Do It ('Til You're Satisfied)
11. Frankie Valli - My Eyes Adored You
12. Shirley & Company - Shame, Shame, Shame
13. Disco Tex & The Sex-O-Lettes - Get Dancin'
14. Nothing From Nothing – Billy Preston
15. Atlanta Rhythm Section - Doraville
16. The Charlie Daniels Band - The South's Gonna Do It Again
17. New Birth - It's Impossible
18. William DeVaughn - Be Thankful For What You Got
19. The Main Ingredient - Just Don't Want To Be Lonely
20. B.W. Stevenson - My Maria

http://www.sendspace.com/file/bw93ux
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K-TEL: THE SECRET HISTORY!

Something that was lost in the CD revolution 20 years ago was the beauty of the record label. Capitol, Decca, Warner Brothers, Polydor: true design classics. Think of the Beatles and you think of black paper labels with a Parlophone pound-sign logo and the big "Capitol swirl" to show that you hadn't just bought a shrunken 78. Blondie's "Heart of Glass" could only ever be on the powder-blue Chrysalis label with a butterfly flapping in the corner.
Between the ages of seven and 14, though, the only label that counted for me was a murky brown colour with two white curvy lines, something that no one could mistake for the work of Barnett Newman or Peter Saville. It was the K-Tel label, home of the hits - usually 20 of them but sometimes as many as 24. For a boy on a dollar a week pocket money, K-Tel was the only label that could give me any hope of keeping up with the kids at school whose dads bought them a hit single or two every Saturday (usually on flashy labels such as Bell or RAK).
Every three months or so, a new K-Tel compilation would appear with a snappy generic title - Music Power, Disco Rocket, Star Party - and for around three bucks my collection would be bolstered with anything from Cockney Rebel and Pilot to War's "Low Rider" (cool) or Pussycat's "Mississippi" (not so). Philly soul, novelty, hard-rock, glam, whatever David Dundas was meant to be - it was all pop music to K-Tel. They were the kings.
Aged 12, more than anything in the world I wanted to work for K-Tel.The man whose job I coveted was Don Reedman, an Aussie who was in at the beginning and made a bomb with the Classic Rock and Hooked On Classics series.

K-Tel's boom years came to an abrupt halt in 1983. Squeezed out, K-Tel had ceased making records by the late Eighties, and reverted to its original purpose - selling kitchen gadgets.
The label's place in bri-nylon pop culture history is secure - the number of hits (five million at the last count) on a fabulous website called ktelclassics.com is testament to this. When you get down to it, K-Tel stood for pop in its purest form: Ultravox may still whine about the injustice of "Vienna" being kept off the top by "Shaddap You Face", but when you are sandwiched between Racey and the Gibson Brothers on a K-Tel comp there's no place for pretension or revisionism. It may not have been Motown, but K-Tel produced dozens of perfectly formed time machines. Your local thrift shop is waiting to transport you.
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Van Halen - 2007-09-27 - Charlotte, North Carolina
































Charlotte Bobcats Arena

The first show from the Van Halen reunion tour.All thanx go to the taper, seeders, writers, pics, video makers!!!!


Recorded by Steecoe.

CONCERT REVIEW

Seems like old times: Van Halen rocks arena

COURTNEY DEVORES
cdevores@charlotteobserver.com


The last time Van Halen performed in Charlotte with Roth as its frontman, he had just turned 30, gas was $1.21 a gallon and tickets to the show at the old Charlotte Coliseum were $12.50.Twenty-three years later, the band's original members are all over 50 and guitarist Eddie Van Halen's 16-year-old son Wolfgang has replaced original bassist Michael Anthony.

The show sold out in a matter of minutes in August, and the arena was packed when the band hit the stage around 8:30 p.m., following a short but sweet set of pop and reggae-tinged R&B by Kymani Marley.


Fans assumed after well-publicized fighting, ill will and a couple of false starts over the past 11 years that the group would never reunite. But earlier this year the Van Halen brothers announced that Roth would rejoin the fold. If the group can keep egos and tempers in check (sources say the three original members arrived on separate buses for rehearsals), the reunion could be the biggest tour of the decade.


Any animosity wasn't apparent on stage as Roth and Eddie Van Halen saddled up next to each other, smiling, during "Everybody Wants Some" and "Dance the Night Away." Roth and Wolfgang Van Halen even sang "Oh Pretty Woman" side by side.


The younger Van Halen proved to be a showy player and spot-on backing vocalist, although he didn't yet prowl the stage like a seasoned vet.


His post rehab father looked skinny, but cut, as did his brother. In fact, the original members all looked fit, though none ran around the stage like they did 25 years ago.


"You Really Got Me" started things off with the band sticking to the set list that was leaked on the internet last week. Highlights included "Beautiful Girls," "Unchained," and "Hot For Teacher." The group saved its biggest single and only #1 pop song, "Jump," for the encore.


Roth left the band in 1985, scoring several pop hits on his own. His former band outlasted his solo success, topping the mainstream rock charts 11 times without him.But to many fans it just wasn't the same without the flamboyant, larger-than-life Roth jumping and posing out front like an uber-charismatic game show host.


One fan compared him to Liberace strutting in his embroidered jackets and skintight leather striped pants.What might be overlooked in favor of his over-the-top persona is his voice, which was in peak form Thursday. He easily met and held notes that younger singers like Jon Bon Jovi just can't reach anymore.































A+ Audience
Track one incomplete due to equipment malfunction

disc one-------
01 You Really Got Me -incomplete
02 I'm The One
03 Runnin' WithThe Devil
04 Romeo Delight
05 Somebody Get Me A Doctor
06 Beautiful Girls
07 Dance The Night Away
08 Atomic Punk
09 Everybody Wants Some
10 So This Is Love
11 Mean Street
12 Pretty Woman
13 Drum Solo

disc two------
01 Unchained
02 I'll Wait
03 ...And The Cradle Will Rock
04 Hot For Teacher
05 Little Dreamer
06 Little Guitars
07 Jamie's Cryin'
08 Ice Cream Man
09 Panama
10 Guitar Solo
11 Ain't Talkin''Bout Love
12 1984
13 Jump


http://www.megaupload.com/?d=YM1GZ3L0
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Wednesday, September 26, 2007

Flo & Eddie - Illegal, Immoral & Fattening (1974)
















Flo & Eddie are both impressive singers and very funny comedians, and both aspects of their talent are on display here, from the pop sheen of "Rebecca" to the sidesplitting return of The Sanzini Brothers. Formerly of The Turtles, Howard Kaylan and Mark Volman jumped ship in mid 1970 only to end up with Frank Zappa and The Mothers circa 1971. Howard and Mark (Flo and Eddie) left Zappa and released a self titled album (Flo and Eddie) and made a huge name for themselves as session backup singers for a veritable who's who of rock royalty.

This, their second album was released in 1973, went out of print in vinyl, then re- released on cd for a very short time only to go out of print yet again. Unless you followed these guys from their youth in the Turtles or you were a Mothers/Zappa fan, or spent your 80's New Years' at The Bottom Line in NYC, chances are you've never heard of them.

These guys are killer players and fantastic singers (evoking some harmonies complex enough to rival the Beach Boys) and all this results in their being gifted musical mimics. And you probably don't have to be a contemporary or a musical historian to get the ... jokes.

The record has two studio cuts at the beginning and the end--some are better than others (the title cut is great fun). But the real reason to buy this disc is for the live set that is sandwiched in between. Though there is some of it I can do without (The Tibetan Memory Trick)--but for the occasional meandering silliness, the rest of it is a true riot. It can veer into the X-rated and the four-letter words, but considering all we have in our face these days, this is tame.
If you are a collector who hunts for the unusual, this is a must for you.

Tracks:


01. Illegal, Immoral And Fattening


02. Rebecca


03. Kama Sutra Time


04. The Sanzini Brothers Return


05. Livin in The Jungle


06. Cheap


07. The Kung Fu Killer


08. Eddie Are You Kidding?


09. Let Me Make Love To You


10. There's No Business Like Show Business


11. Come To My Rescue Webelos (bonus b-side)



http://rapidshare.com/files/24221024/FAEIIAF.rar.html


http://rapidshare.com/files/24360358/F_Eextra.rar


Password: Liverpool



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The Piper at the Gates of Dawn [LIMITED EDITION] [EXTRA TRACKS] - 192K



Released on August 5, 1967 (about two months after the June 1 UK release of the Beatle's Sgt. Peppers Lonely Hearts Club Band) this excellent debut featured a heady mixture of experimental and avant-garde tendencies, psychedelia, and lengthy instrumental passages that placed Pink Floyd alongside instrumental bands active at the time such as the Soft Machine (debut album 1968).

This album, as many people know, featured the late Syd Barrett, who was the primary driver behind the Piper at the Gates of Dawn. Although quite different than the later material that made the band famous, I actually prefer the rawer, more experimental side of Pink Floyd and find it to be a very satisfying example of the proto-progressive rock style. Like Sgt. Peppers, this album was also extremely influential and along with Saucerful of Secrets (1968) provided the inspiration for a great deal of the German experimental rock scene (listen to Tangerine Dream's 1970 debut for proof). Of course, Piper at the Gates of Dawn also contributed to the events leading up to the emergence of English progressive rock too.

The lineup at this point included Syd Barrett (electric/acoustic guitars, vocals); Roger Waters (bass, vocals); Rick Wright (organ; vocals); and Nick Mason (drums). In addition to the standard rock instruments, Pink Floyd also treated the studio as an instrument and experimentation with sound effects, feedback, and other types of tape manipulation were very much a part of the soundscape. The playing is also much more adventurous.

In fact, I have to admit that Roger turns in some of his finest bass playing on this album. His style is very aggressive, features loads of octave jumps, and he generally uses the fretboard more than he would during the rest of Pink Floyd's career. Of course, the fact that he played a Rickenbacker certainly did not hurt either. Syd's guitar playing is also very intense and he generates all sorts of otherwordly sounds - many of which sound nothing like an electric guitar. Rick's organ work also provides another nice touch. The songs themselves are very interesting too and run the gamut from short (and bizarre) songs with frequently shifting time signatures, to lengthy and wild instrumental "freak outs".

The (approx.) 10 minute Interstellar Overdrive is a great example of this. The subject matter is also fairly interesting too, and the album lies somewhere in a brambly, dark dimension populated by scarecrows and gnomes etc. I would imagine that this album may have frightened a lot of folks when it came out - it is extremely intense and fairly "intellectual" in its approach.

As has been well documented in just about every book written on Pink Floyd (for example, see Nicholas Schaffners' Saucerful of Secrets (1991); Pink Floyd: In the Flesh by Glenn Povey and Ian Russell (1997)), Syd Barrett's drug problem shattered his already fragile emotional state and a series of increasingly bizarre actions led to his replacement by Dave Gilmour. It is worth noting that Syd was allowed to contribute the track Jugband Blues to the Saucerful of Secrets album, although it was to be his last recorded performance with Pink Floyd.

All in all, this is yet another amazing album to come out of the heady, psychedelic rock scene as it existed in 1967. For those prog rock fans that are interested, other exciting albums from 1967 that might prove enjoyable include Days of Future Passed (Moody Blues); After Bathing at Baxter's (Jefferson Airplane); and two from the Beatles including Sgt. Pepper's Lonely Hearts Club Band and Magical Mystery Tour.

To mark the 40th anniversary of the original release of Pink Floyd's first album 'The Piper At The Gates Of Dawn', a special edition was released via EMI Records on Tues 28th August in North America, and Monday September 3rd in Europe. The packaging, designed by Storm Thorgerson, resembles a cloth-covered book, and holds 3 CD discs, along with a 12-page reproduction Syd Barrett notebook. Discs 1 and 2 contain the full 'Piper' album, represented in both stereo and mono versions. Both have been newly remastered by James Guthrie. Disc 3 includes bonus tracks, including the following: all the Pink Floyd singles from 1967, ('Arnold Layne', 'See Emily Play', and 'Apples And Oranges'), plus the B sides 'Candy And A Current Bun' and 'Paintbox'. Other tracks are a version of 'Interstellar Overdrive' - Take 2 of the original recording sessions, previously only available on an EP in France - and the 1967 stereo version of 'Apples And Oranges'.

CD1

01. Astronomy Domine (Mono)

02. Lucifer Sam (Mono)

03. Matilda Mother (Mono)

04. Flaming (Mono)

05. Pow R Toc H (Mono)

06. Take Up Thy Stethoscope And Walk (Mono)

07. Interstellar Overdrive (Mono)

08. The Gnome (Mono)

09. Chapter 24 (Mono)

10. The Scarecrow (Mono)

11. Bike (Mono)

CD2

01. Astronomy Domine (Stereo)

02. Lucifer Sam (Stereo)

03. Matilda Mother (Stereo)

04. Flaming (Stereo)

05. Pow R Toc H (Stereo)

06. Take Up Thy Stethoscope And Walk (Stereo)

07. Interstellar Overdrive (Stereo)

08. The Gnome (Stereo)

09. Chapter 24 (Stereo)

10. The Scarecrow (Stereo)

11. Bike (Stereo)

bonus

01. Arnold Layne

02. Candy And A Currant Bun

03. See Emily Play

04. Apples And Oranges

05. Paintbox

06. Interstellar Overdrive (Take 2) (French Edit)

07. Apples And Oranges (Stereo Version)

08. Matilda Mother (Alternative Version)

09. Interstellar Overdrive (Take 6)

File one is CD one and part one of the bonus disc

File two is CD two and part two of the bonus disc

http://rapidshare.com/files/54836051/PF_40_1.rar.html

http://www.zshare.net/download/3584026fe9557c/

Many thanx to tuburt!

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Thursday, September 20, 2007

The Beatles - 1969-01-31 - Apple Studio + Bonus

The Beatles
A/B Road
(The Nagra Reels)Part 2 - Apple: Studio Sessions

1969-01-31: (4:35:43)









101: Roll Announcement (0:12)
102: Two Of Us 31.01 (2:00)
103: Unknown 31.02 (0:38)
104: Hey Good Lookin' 31.03 (0:56)
105: Take This Hammer (medley) 31.04 (9:02)
106: Two Of Us (10A) 31.05 (0:53)
107: Two Of Us (10B) 31.06 (3:13)
108: Two Of Us 31.07 (0:23)
09: Two Of Us 31.08 (0:21)
110: Two Of Us 31.09 (3:04)
111: Step Inside Love 31.10 (3:07)
112: Friendship 31.11 (0:40)
113: Tales Of Frankie Rabbit 31.12 (1:05)
114: Two Of Us (11) 31.13 (3:48)
115: Deed I Do 31.14 (2:20)
116: Two Of Us (12) 31.15 (3:58)
117: I Got Stung 31.16 (0:58)
118: Step Inside Love 31.17 (0:14)
119: Let It Be 31.18 (0:41)
120: Let It Be 31.19 (0:58)
121: The Long And Winding Road 31.20 (1:55)
122: Let It Be 31.21 (0:42)
123: The Long And Winding Road 31.22 (22:31)
124: The Long And Winding Road (13A) 31.23 (0:50)
125: The Long And Winding Road (13B) 31.24 (3:51)
126: The Long And Winding Road 31.25 (1:07)
127: The Long And Winding Road (14) 31.26 (3:17)
128: The Long And Winding Road (15A) 31.27 (0:18)
129: The Long And Winding Road (15B) 31.28 (3:37)
Disc 2
201: The Long And Winding Road 31.29 (2:40)
202: The Long And Winding Road (16A) 31.30 (0:10)
203: The Long And Winding Road (16B) 31.31 (0:44)
204: The Long And Winding Road (16C) 31.32 (3:37)
205: The Long And Winding Road (16D) 31.33 (4:45)
206: Lady Madonna 31.34 (3:47)
207: The Long And Winding Road 31.35 (2:14)
208: The Long And Winding Road (17A) 31.36 (2:51)
209: The Long And Winding Road (17B) 31.37 (0:17)
210: The Long And Winding Road 31.38 (0:18)
211: The Long And Winding Road (18) 31.39 (5:38)
212: The Long And Winding Road (19) 31.40 (4:29)
213: I Want You (She's So Heavy) 31.41 (5:30)
214: Let It Be 31.42 (6:34)
215: Let It Be (20A) 31.43 (1:28)
216: Let It Be (20B) 31.44 (0:08)
217: Let It Be (20C) 31.45 (4:33)
218: Build Me Up Buttercup 31.46 (0:40)
219: Let It Be 31.47 (1:48)
220: Let It Be (21) 31.48 (3:42)
221: Let It Be (22) 31.49 (5:12)
222: Let It Be (23) 31.50 (4:18)
223: Let's Have A Party 31.51a (0:26)
224: Let's Have A Party 31.51b (1:21)
225: Let It Be 31.49P (6:09)
Disc 3
301: Dialogue (5:25)
302: Instrumental 31.52 (1:03)
303: Let It Be 31.53 (2:58)
304: Let It Be 31.54 (3:45)
305: Roll Announcement (0:25)
306: Let It Be 31.55 (1:03)
307: Let It Be 31.56 (4:42)
308: Let It Be 31.57 (1:04)
309: Let It Be - 12th Street Rag 31.58 (0:18)
310: Let It Be 31.59 (4:24)
311: Oh! Darling 31.60 (3:15)
312: Oh! Darling 31.61a (2:43)
313: Oh! Darling 31.61b (0:49)
14: Unknown 31.62 (2:43)
315: Let It Be 31.63 (5:37)
316: Let It Be (27A) 31.64 (4:23)
317: Let It Be (27B) 31.65 (4:02)
Nagra Get Back: (43:47)
This is what was to be the Get Back album, pieced from the Nagra Reels. DDSI 'take' numbers are listed.
401: One After 909 30.08-09-17 (3:04)
402: Rocker (I'm Ready) 22.5 (0:45)
403: Save The Last Dance For Me - Don't Let Me Down 22.59 (1:15)
404: Don't Let Me Down 22.80-22.60 (4:10)
405: Dig A Pony 22.70 (4:06)
406: I've Got A Feeling 22.71 (2:54)
407: Get Back 27.63-28.43 (3:13)
408: For You Blue 25.46 (2:46)
409: Teddy Boy 24.33 (3:42)
410: Two Of Us 24 (3:31)
411: Maggie Mae 24.49 (0:38)
412: Dig It 26.55-24.85 (5:23)
413: Let It Be 31.64 (3:52)
414: The Long And Winding Road 26.91 (3:44)
415: Get Back (Reprise) 28.43 (0:44)
Nagra Let It Be: (33:19)
This is the Let It Be album, but pieced together from the Nagra session reels - different takes, mixes, etc - an alternate to the official album. DDSI 'take' numbers are listed.
416: Two Of Us 21-31.13 (3:34)
417: Dig A Pony 30.11 (3:52)
418: Across The Universe (3:21)
419: I Me Mine (1:32)
420: Dig It 26.55-24.85 (0:51)
421: Let It Be 31.64 (3:52)
422: Maggie Mae 24.49 (0:38)
423: I've Got A Feeling 30.06 (3:34)
424: One After 909 30.08-09 (2:52)
425: The Long And Winding Road 26.91 (3:36)
426: For You Blue 8.21-25.46 (2:30)
427: Get Back 27.63-30.17 (3:07)
Discs 1,2,3
Bonus (Disc 4)
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Wednesday, September 19, 2007

The Beatles - 1969-01-30 - Apple Studios

The Beatles
A/B Road

(The Nagra Reels)
Part 2 - Apple:1969-01-30: (1:47:56)
The Rooftop Concert - Savile Row, London




101: Roll Announcement (0:17)
102: Slate Announcement (0:06)
103: Dialogue (0:12)
104: Roll Announcement (0:12)
105: Slate Announcement (1:00)
106: Get Back 30.01 (2:55)
107: Get Back 30.02 (3:37)
108: Dialogue (0:21)
109: I Want You (She's So Heavy) 30.03 (0:54)
110: Dialogue (0:29)
111: Take Announcement (0:04)
112: Get Back 30.04 (3:30)
113: Don't Let Me Down 30.05 (3:20)
114: I've Got A Feeling 30.06 (5:13)
115: One After 909 30.07 (0:16)
116: One After 909 30.08 (2:46)
117: Danny Boy 30.09 (0:43)
118: Dig A Pony 30.10 (1:18)
119: Dig A Pony 30.11 (5:11)
120: God Save The Queen 30.12 (0:51)
121: Warmup (1:51)
122: I've Got A Feeling 30.13 (3:33)
123: A Pretty Girl Is Like A Melody 30.14 (0:08)
124: Get Back 30.15 (0:13)
125: Don't Let Me Down 30.16 (3:21)
126: Get Back 30.17 (3:42)
127: Roll Announcement (0:11)
128: God Save The Queen 30.12P (2:33)
129: I've Got A Feeling 30.13P (3:33)
130: A Pretty Girl Is Like A Melody 30.14P (0:07)
131: Get Back 30.15P (0:16)
132: Don't Let Me Down 30.16P (3:18)
133: Get Back 30.17P (6:00)
Disc 2
201: Roll (0:17)
202: Slate (0:06)
203: Dialogue (0:12)
204: Roll (0:12)
205: Slate (1:00)
206: Get Back (2:55)
207: Get Back (3:37)
208: Dialogue (0:21)
209: I Want You (She's So Heavy) (0:54)
210: Dialogue (0:29)
211: Take (0:04)
212: Get Back - Stereo (3:29)
213: Don't Let Me Down - Stereo (3:19)
214: I've Got A Feeling - Stereo (5:12)
215: One After 909 (0:16)
216: One After 909 - Stereo (2:45)
217: Danny Boy - Stereo (0:43)
218: Dig A Pony (1:18)
219: Dig A Pony - Stereo (5:09)
220: God Save The Queen (0:51)
221: Warmup (1:51)
222: I've Got A Feeling - parts Stereo (3:32)
223: A Pretty Girl Is Like A Melody (0:08)
224: Get Back (0:13)
225: Don't Let Me Down Part Stereo (3:21)
226: Get Back - Stereo (3:41)
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Tuesday, September 18, 2007

The Beatles - 1969 complete A/B Road sessions... a little intro


The Beatles

January, 1969
"A/B Road" session tapes
Also known as The Nagra Reels


To end this Beatles upload frenzy of mine, we'll go into the much over rated 1969 sessions. It's a lot of material because the complete sessions were documented, so to make it easier for all I will only upload the very last two days worth from January 30 - 31, 1969. These two days consisted of both the studio sessions proper (as opposed to mere rehearsals) and the eventual rooftop concert (meant to bring to a close the whole affair.)


For completists I am including some information on the entire set as presented by Purple Chick. This whole series takes up a fair amount of space in my music room as the photo above and the following info will attest to. Trust me...it is a huge undertaking to try and download this baby! (For absolute completists the the entire Twickenham and Apple output can easily be found on the net. Good luck and happy downloading!! Now on with the show:



COMPLETE SET version 1.1
83 CDs
2187 tracks
97 hours, 44 minutes, 7 seconds
Twickenham Studios (Part 1)
Apple Studios (Part 2)



I started trying to collect this set 2 years ago. It gets seeded all kinds of ways. One disc here, one disc there… someone thought it would be nice to encode to .APE on a few I found. Very frustrating to try to collect a set this big that way. Like most people, I only had some pieces.


A gentleman named alGo did manage to collect these though, as they were first being posted. He notes:


This was all downloaded from easytree and then later dimeadozen. It was upped by PC_Eclipse and later by hexer, and, supposedly, they got their sets directly in flac format from Purple Chick (mmm PC and PC_Eclipse. Never thought of that. Who knows...).


They were seeded in small batches of maybe two or three cds. I've made one directory for each day and then put the correspondent discs there, like it should be. Some of the uploaded files had defects and patches were uploaded. Those patches are already applied, as was a later patch from PC to one of the tracks. So this is AB road 1.1 instead of 1.0.


In a disc or two an 'unofficial' patch was uploaded and suggested too. I have NOT replaced the original PC track, but I've put them on a directory inside that disc so everyone can judge and replace it where necessary.


Some of the first batches (that started with the apple sessions) were originally in shn format. Personally, I can't stand shn so I reconverted them to flac level 8 using Flac Frontend. Hope no one really minds about it.


So, alGo did a lot of further work to organize this set. I was still unhappy with having to reference a track list document to browse 2100+ files, so I have named all the tracks, combined into a single folder and added FLAC tags. This is the most complete presentation of this historic set, of over a thousand reels, you will find anywhere. All tracks have been meticulously labeled to include all info for easy browsing, including the DDSI take numbers.


DDSI numbers were published by Doug Sulpy when these tracks were initially pieced together and cataloged, in order of recording, for the most part, and presented in the book, "Drugs, Divorce and a Slipping Image (DDSI). Doug will be releasing an updated version of this book soon, and it is my hope that this set will compliment that nicely – you’ll be able to instantly call up a track while you read about it using the DDSI # assigned by Doug.



This set has been notoriously hard to complete, especially with any consistent lineage. Here is the chain of custody for this set:


THE FILM ENGINEERS - recorded thousands of audio reels over 4 weeks - the people in between


PURPLE CHICK - initial compilation and lots of hard work piecing the reels together


PC_ECLIPSE & HEXER - initial individual distribution of the 83 CDsalGo - initial compiling from the 83 individual Discs to 4 big sets


ROGERLANCELOT - computation of times & track data.


JAMESKG - final compiling and file naming, flac tagging, and fixing a non-compliance problem


I have gone through this set with a fine tooth comb and Doug Sulpy’s 2006 edition book’s list by DDSI #s. I found a few anomalies with track #s and DDSI #s and have re-aligned to Sulpy’s book. Something like 100 or so errors out of all 2187 tracks. I’m pretty sure this is as accurate as the documentation has ever been for this set.


01/02/69 - 2 Discs (2:39:15) 1 double case
01/03/69 - 4 Discs (5:12:33) 2 double cases
01/06/69 - 5 Discs (6:04:03) 2 double cases / 1 single case
01/07/69 - 4 Discs (5:10:28) 2 double cases
01/08/69 - 4 Discs (5:02:49) 2 double cases
01/09/69 - 5 Discs (5:21:39) 2 double cases / 1 single case
01/10/69 - 4 Discs (4:36:51) 2 double cases
01/13/69 - 3 Discs (3:28:50) 1 double case / 1 single case
01/14/69 - 3 Discs (3:02:42) 1 double case / 1 single case
01/21/69 - 3 Discs (3:28:57) 1 double case / 1 single case
01/22/69 - 4 Discs (5:05:22) 2 double cases
01/23/69 - 4 Discs (4:53:14) 2 double cases
01/24/69 - 4 Discs (4:55:06) 2 double cases
01/25/69 - 6 Discs (7:09:17) 3 double cases
01/26/69 - 6 Discs (6:30:01) 3 double cases
01/27/69 - 6 Discs (7:05:26) 3 double cases
01/28/69 - 6 Discs (7:02:31) 3 double cases
01/29/69 - 4 Discs (4:31:24) 2 double cases
01/30/69 - 2 Discs (1:47:56) 1 double case
01/31/69 - 4 Discs (4:35:43) 2 double cases


Total = 83 Discs - 39 double cases - 5 single cases



Part 1: Twickenham = 40:39:10 (1042 Tracks)


Part 2: Apple = 57:04:57 (1145 Tracks)


Total Time = 97:44:07 (83 CDs, 2187 Tracks)

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Sunday, September 16, 2007

Remembering Marc Bolan and T. Rex

Marc Bolan remains as iconic today as when his life was cut so tragically short on 16th September 1977, just two weeks before his 30th birthday. Revered by all who discover him Bolan is the quintessential embodiment of the 1970s music scene, whose influence is felt as strongly today as when he first swept onto the British music scene in 1970.
Marc Bolan holds a unique position in the history of rock ‘n’ roll - London-born, self-educated and embracing many different styles. Recognised as one of the most iconic performers of the 20th Century, Bolan’s influence is as strong today as ever it was. His timeless hits are cornerstones in popular music: Ride A White Swan, Hot Love, Telegram Sam, Children of the Revolution, 20th Century Boy, and I Love To Boogie to name a few! In addition to being cited as a major influence by the likes of Johnny Marr and Mika, Bolan’s music has recently been covered by The Fratellis and Goldfrapp; featured in three major movies – Moulin Rouge, Jarhead and Billy Elliot and the smash hit television series Life on Mars as well as being featured in numerous high profile advertising campaigns.
The first single released by Marc Bolan after the shortening of the group’s name from Tyrannosaurus Rex to T.Rex charted for 20 weeks, peaking at number 2 in January 1971. Hot Love with b-sides King of the Mountain Cometh and Woodland Rock was released on 3rd September 2007. Hot Love was Number One for six weeks through March and April 1971. Get It On with b-side There Was A Time and Raw Ramp was released in July 1971 and spent a month at number 1 – Get It On also went Top 10 in the USA and throughout much of the world.
His commercial successes with T.Rex was huge: ten Top 10 hits in three years, three Number one UK LPs in 12 months, a best-selling poetry book, the box office smash hit film Born To Boogie (the film of the T.Rex phenomenon directed by Ringo Starr in 1972, which when released on DVD in 2005 and topped the UK music DVD charts), his own TV series... Perhaps less known is the breadth of his artistry and how he chopped and changed styles throughout his career, creating a style uniquely his own.
Marc Bolan wrote every one of this cannon of hits himself, working with legendary producer Tony Visconti to create a sound unique to T.Rex, with lyrics that invited the listener into Bolan’s vivid imagination, populated by Tolkienesque characters from mythical worlds. Having featured in the style bible “Town” as London’s Ace Face, aged just 14, Marc Bolan never left the house without having first perfected his hair and wardrobe. It was this attention to and fascination with style which manifested itself most memorably in T.Rex. Dressed in bespoke threads from Alkasura and Granny Takes A Trip, one appearance on BBC’s Top of the Pops to promote breakthrough hit Ride A White Swan was enough to unleash an army of imitators – both in other bands, and amongst T.Rex fans.
Whilst creating what became known as Glam Rock, Bolan quickly disassociated himself from it, claiming “Glam Rock is Dead!” as early as June 1973. He changed direction, moving to the US and embracing soul music 12 months before his friends and rivals, David Bowie and Elton John. Later, he was the only major star to align himself with the burgeoning UK Punk Rock explosion, inviting the Damned onto his 1977 Dandy In The Underworld Tour, and securing Generation X, The Jam and other New Wave bands for his TV show.

These are the Sessions That Produced Marc's Best Known Work - Electric Warrior!The LP that included "Get It On (Bang A Gong)"Excellent Studio Sound!192 mp3



























Play It Loud! and Boogie On, Marc!
Thanx to Hear Rock City for this groovy up!


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The Beatles - 1968 - The Beatles - Deluxe Volume 1

The Beatles - Deluxe Edition - Volume 1 Stereo
1968
The Beatles

Purple Chick
















DISCS ONE - stereo
Single
101: Hey Jude
102: Revolution
The Beatles - record 1
103: Back In The U.S.S.R.
104: Dear Prudence
105: Glass Onion
106: Ob-La-Di, Ob-La-Da
107: Wild Honey Pie
108: The Continuing Story Of Bungalow Bill
109: While My Guitar Gently Weeps
110: Happiness Is A Warm Gun
111: Martha My Dear
112: I'm So Tired
113: Blackbird
114: Piggies
115: Rocky Raccoon
116: Don't Pass Me By
117: Why Don't We Do It In The Road?
118: I Will
119: Julia
Outtakes
120: Not Guilty
121: What’s The New Mary Jane
122: Sour Milk Sea (outfake)
DISC TWO
The Beatles - record 2
201: Birthday
202: Yer Blues
203: Mother Nature's Son
204: Everybody's Got Something To Hide Except Me And My Monkey
205: Sexy Sadie
206: Helter Skelter
207: Long, Long, Long
208: Revolution 1
209: Honey Pie
210: Savoy Truffle
211: Cry Baby Cry
212: Revolution 9
213: Good Night
Outtake
214: While My Guitar Gently Weeps (demo)
Alternate mixes
215: Revolution (Love - complete)
216: Back in the USSR (Love - complete)
217: Revolution (Past Masters)
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The Beatles - 1968 - The Beatles - Deluxe Edition Volume 2 - Mono!!

The Beatles - Deluxe Edition Volume 2
1968
The Beatles - Mono!!

Purple Chick












DISC THREE - mono
Single
301: Hey Jude
302: Revolution
The Beatles - record 1
303: Back In The U.S.S.R.
304: Dear Prudence
305: Glass Onion
306: Ob-La-Di, Ob-La-Da
307: Wild Honey Pie
308: The Continuing Story Of Bungalow Bill
309: While My Guitar Gently Weeps
310: Happiness Is A Warm Gun
311: Martha My Dear
312: I'm So Tired
313: Blackbird
314: Piggies
315: Rocky Raccoon
316: Don't Pass Me By
317: Why Don't We Do It In The Road?
318: I Will
319: Julia
Outtakes
320: Not Guilty
321: What’s The New Mary Jane
322: Sour Milk Sea (outfake)
DISC FOUR - mono
The Beatles - record 2
401: Birthday
402: Yer Blues
403: Mother Nature's Son
404: Everybody's Got Something To Hide Except Me And My Monkey
405: Sexy Sadie
406: Helter Skelter
407: Long, Long, Long
408: Revolution 1
409: Honey Pie
410: Savoy Truffle
411: Cry Baby Cry
412: Revolution 9
413: Good Night
Outtake
414: While My Guitar Gently Weeps(demo)
Alternate mix
415: Don't Pass Me By (original speed)
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The Beatles - 1968 - The Beatles - Deluxe Volume 3

The Beatles - Deluxe Edition Volume 3
1968
The Beatles - Demos and Sessions

Purple Chick












DISC FIVE - demos
501: Julia
502: Blackbird
503: Rocky Raccoon
504: Back In The U.S.S.R.
505: Honey Pie
506: Mother Nature's Son
507: Ob-La-Di, Ob-La-Da
508: Junk
509: Dear Prudence
510: Sexy Sadie
511: Cry Baby Cry
512: Child Of Nature
513: The Continuing Story Of Bungalow Bill
514: I'm So Tired
515: Yer Blues
516: Everybody's Got Something To Hide Except Me And My Monkey
517: What's The New Mary Jane
518: Revolution
519: While My Guitar Gently Weeps
520: Circles
521: Sour Milk Sea
522: Not Guilty
523: Piggies
524: Happiness Is A Warm Gun
525: Mean Mr. Mustard
526: Polythene Pam
527: Glass Onion
528: Junk (anthology mix)
529: Honey Pie (anthology mix)
DISC SIX - sessions
601: Revolution - take 20 (composite created from From Kinfauns To Chaos)602: Don't Pass Me By - take 3 (Ant DVD)
603: Don't Pass Me By - takes 3+5 (Ant 3)
604: Blackbird/Congratulations - a (Gone Tomorrow, Here Today)
605: Blackbird - b (Gone Tomorrow, Here Today)606: Blackbird - c (Gone Tomorrow, Here Today)
607: Helter Skelter/Blackbird/Gone Tomorrow Here Today - d (Gone Tomorrow, Here Today)
608: Blackbird - e (Gone Tomorrow, Here Today)
609: tuning (Gone Tomorrow, Here Today)
610: Blackbird - r (Gone Tomorrow, Here Today)
611: Blackbird - g (Gone Tomorrow, Here Today)
612: Blackbird - h (Gone Tomorrow, Here Today)
613: Blackbird/Mother Natures Son - i (Gone Tomorrow, Here Today)
614: Blackbird - j (Gone Tomorrow, Here Today)
615: Blackbird - k (Gone Tomorrow, Here Today)
616: Blackbird - l (Gone Tomorrow, Here Today)
617: Blackbird - m (Gone Tomorrow, Here Today)
618: Blackbird - n (Gone Tomorrow, Here Today)
619: Blackbird - o (Gone Tomorrow, Here Today)
620: Blackbird - p (Gone Tomorrow, Here Today)
621: Blackbird - q (Gone Tomorrow, Here Today)
622: Blackbird - r (Gone Tomorrow, Here Today)
623: dialogue (Gone Tomorrow, Here Today)
624: dialogue (Gone Tomorrow, Here Today)
625: Blackbird - s (Gone Tomorrow, Here Today)
626: Blackbird take 4 (Ant 3)
627: Blackbird - take unknown (Ant DVD)
628: Blackbird - take 32 RM6 (The Peter Sellers Tape)
629: Good Night - rehearsal (created from Anthology 3)
630: Good Night - unknown take (Ant DVD)
631: Ob-La-Di Ob-La-Da - take 5 (The Abbey Road Tape vol 1)
632: Ob-La-Di Ob-La-Da - take 21 (Anthology video + Anthology 3)
633: Revolution - take 15 (Revolution)
634: Don't Pass Me By - take 7 RM4 (The Peter Sellers Tape)
635: Ob-La-Di Ob-La-Da - take 23 RM21 (The Peter Sellers Tape)
636: Ob-La-Di Ob-La-Da-ish - studio chat (Love (audience tape+tv special.)
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The Beatles - 1968 - The Beatles - Deluxe Volume 4

The Beatles - Deluxe Edition Volume 4 - The Sessions
1968
The Beatles

Purple Chick













DISC SEVEN - sessions
701: Cry Baby Cry - take 1 (Ant 3)
702: Helter Skelter - take 2 (Ant 3)
703: Sexy Sadie - take 6 (Ant 3)
704: Sexy Sadie - take unknown + chat (Ant Video)
705: Fuck A Duckie (CCRMM)
706: Sexy Sadie - take unknown (CCRMM)
707: Brian Epstein's Blues (CCRMM)
708: Sexy Sadie - take unknown (CCRMM)
709: Sexy Sadie - take unknown (CCRMM)
710: Sexy Sadie - take unknown (CCRMM)
711: Good Night - take 34 RM6 (The Peter Sellers Tape)
712: Everybody's Got Something To Hide Except Me And My Monkey - take 12 RM5 (Primal Colors)
713: Sexy Sadie - take 28 (Ant Video)
714: While My Guitar Gently Weeps - take 1 (A Day In The Life + ARVS)
715: While My Guitar Gently Weeps - take 1 + overdub (Ant DVD)
716: When I Was A Robber (Ant 3)
717: Hey Jude - take 2 (Ant 3)
718: Hey Jude - rehearsal a (experiment in television)
719: St Louis Blues - a (experiment in television)
720: Hey Jude - rehearsal b (experiment in television)
721: Hey Jude - take unknown (1983 Abbey Road Show)
722: Hey Jude - take 7 (Unsurpassed Masters volume 4)
723: Las Vegas Tune (Unsurpassed Masters volume 4)
724: St Louis Blues - b (Unsurpassed Masters volume 4)
725: St Louis Blues - c (Unsurpassed Masters volume 4 + experiment in tv)
726: Hey Jude - rehearsal c (experiment in television)
727: Hey Jude - take 8 (A Day In The Life)
728: Hey Jude - take 9 (A Day In The Life + experiment in television)
729: Hey Jude - take ?? RS1 (Gone Tomorrow Here Today)
730: Hey Jude-ish studio chat (from Love)
731: Mother Nature's Son - take 2 (Ant 3)
732: Mother Nature's Son - take unknown (Ant DVD)
733: Not Guilty - take 102 RM1 (The Peter Sellers Tape)
734: Jam (Down In Havana)
735: What's The New Mary Jane - take 2 (Ant DVD)
736: Rocky Raccoon - take 8 (Ant 3)
737: Rocky Raccoon - take 9 (Ant DVD)
738: Rocky Raccoon - RM1 (The Peter Sellers Tape)
739: Yer Blues - RM3 (Primal Colors)
DISC EIGHT - sessions
801: Mother Nature's Son - RM8 (The Peter Sellers Tape)
802: Wild Honey Pie - RM6 (The Peter Sellers Tape)
803: Sexy Sadie RM5 unedited (The Peter Sellers Tape)
804: Back In The U.S.S.R. - RM1 (Primal Colors)
805: Dear Prudence - backing vocal fragment (White Sessions)
806: Dear Prudence - take 1 - mix a (Gone Tomorrow Here Today + Lost Lennon Tapes 88-24)
807: Dear Prudence - take 1 - mix b (Gone Tomorrow Here Today)
808: While My Guitar Gently Weeps - studio chat (Love)
809: Lady Madonna - rehearsal (CCRMM)
810: While My Guitar Gently Weeps - rehearsal (CCRMM)
811: Helter Skelter - vocal fragment (love tv special)
812: Helter Skelter - take 21 RM1 (Primal Colors)
813: I Will - take 1 (Ant DVD)
814: I Will - take 1 (Ant DVD + Ant 3)
815: Can You Take Me Back - take 19 (Down In Havana + Turn Me On, Dead Man)
816: Down In Havana - I Will take 30 (Down In Havana)
817: Step Inside Love - I Will take 34 (Turn Me On, Dead Man)
818: Los Paranoias - I Will take 35 (Turn Me On, Dead Man)
819: The Way You Look Tonight - I Will take 36 (TMODM)
820: Birthday - RM1 (Primal Colors)
821: Piggies - take unknown (Ant DVD)
822: Piggies - unused overdub (love tv special)
823: Happiness Is A Warm Gun - overdub track (Arrive Without Aging)
824: Happiness Is A Warm Gun - stereo with overdub track (remixed from DESS + Arrive Without Aging)
825: Glass Onion - take 33 RM2 (Ant 3)
826: I'm So Tired - takes 3+6+9 (Ant 3)
827: I'm So Tired - take 14 (Ant DVD)
828: I'm So Tired - a (Control Room Monitor Mixes)
829: I'm So Tired - (remixed from DESS + CRMM)
830: Why Don't We Do It In The Road? - take 4 (Ant 3)
831: Why Don't We Do It In The Road? - take 4+5 (Ant DVD)
832: Julia - take 2 (Ant 3)
833: Julia - take 3 (Ant DVD)
834: How Do You Do (Abbey Road NW8 (Darthdisc))
835: Blackbird (Abbey Road NW8 (Darthdisc))
836: The Unicorn (Abbey Road NW8 (Darthdisc))
837: Lalena (Abbey Road NW8 (Darthdisc))
838: Heather (Abbey Road NW8 (Darthdisc))
839: Mr Wind (Abbey Road NW8 (Darthdisc))
840: The Walrus And The Carpenter (Abbey Road NW8 (Darthdisc))
841: Land Of Gisch (Abbey Road NW8 (Darthdisc))
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The Beatles - 1968 - The Beatles - Deluxe Volume 5

The Beatles - Deluxe Edition Volume 5
1968
The Beatles

Purple Chick












DISC NINE - the beatles go too far
Revolution 1:
901: take 20 playback
902: take 20 playback
903-4: jamming
905: tuning/dialogue
906: jamming/rehearsal
907: take 20 overdub
908: take 20 playback
909: take 20 playback
910: jamming
911: jamming
912: jamming
913: jamming
914: jamming
915: take 20 playback
916: take 20 playback
917: take 20 playback/overdub
918: take 20 playback
919: take 20 playback
920: take 20 playback
921: jamming
922: jamming
923: jamming
924: jamming
925: take 20 playback
926: dialogue
927: dialogue
928: dialogue
929: take 20 playback
930: take 20 playback
931: dialogue
932: dialogue/tape loop
933: tape loop
934: dialogue
935: RM1
936: Revolution 9 - RS1
DISC TEN - the beatles go too far
1001: What's The New Mary Jane - RS4 (Acetates Collection)
1002: What's The New Mary Jane - RS5 (Acetates Collection)
1003: What's The New Mary Jane - RS6 (Acetates Collection)
1004: What's The New Mary Jane (Another Sessions Plus)
1005: What's The New Mary Jane (Misc Tracks 2005)
1006: I'm So Tired b-g (Control Room Monitor Mixes)
1007: I'm So Tired b-g (Control Room Monitor Mixes)
1008: I'm So Tired b-g (Control Room Monitor Mixes)
1009: I'm So Tired b-g (Control Room Monitor Mixes)
1010: I'm So Tired b-g (Control Room Monitor Mixes)
1011: I'm So Tired b-g (Control Room Monitor Mixes)
1012: While My Guitar Gently Weeps a-d (Complete Control Room Monitor Mixes)
1013: While My Guitar Gently Weeps a-d (Complete Control Room Monitor Mixes)
1014: While My Guitar Gently Weeps a-d (Complete Control Room Monitor Mixes)
1015: While My Guitar Gently Weeps a-d (Complete Control Room Monitor Mixes)
Alternate mixes:
1016: Don't Pass Me By - take 3 (ant vid)
1017: Goodnight - unknown take (ant vid)
1018: Ob-La-Di, Ob-La-Da (Ant 3)
1019: Ob-La-Di Ob-La-Da - take 21 (ant dvd)
1020: Sexy Sadie - unknown take + chat (ant dvd)
1021: Good Night (ant 3)
1022: Sexy Sadie - take 28 (ant dvd)
1023: While My Guitar Gently Weeps (ant 3)
1024: While My Guitar Gently Weeps - take 1 harmonium (ant vid)
1025: Hey Jude - take 7 (experiment in tv)
1026: Hey Jude - take 7a (chat) (experiment in tv)
1027: Hey Jude - take 7b St Louis Blues (UM4)
1028: Hey Jude - take 9 partial (Abbey Road Video Show)
1029: Hey Jude - take 9 (experiment in tv)
1030: Mother Nature's Son - take unknown (ant vid)
1031: Not Guilty (Ant 3)
1032: What's The New Mary Jane - take 2 (ant vid)
1033: Rocky Raccoon - take 9 (ant vid)
1034: I Will - take 1 (ant vid)
1035: Step Inside Love-Los Paranoias (Ant 3)
1036: Piggies - unknown take (ant DVD)
1037: I'm So Tired - take 14 (ant vid)
1038: Why Don't We Do It In The Road (ant vid)
1039: Julia - take 3 partial (ant vid)
1040: While My Guitar Gently Weeps orchestra session (love tv special)
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The Beatles - 1968 - The Beatles - Deluxe - Whitecasts

The Beatles - Deluxe Edition
1968
The Beatles - Whitecasts

Purple Chick












DISC ELEVEN - whitecasts
1101: Not Guilty (Ultra Rare Trax Vol. 3)John Barrett’s stereo mix of this outtake was included in Volume 1. This is Roger Scott’s mix.
PROMO FILMS - 4 September, 1968
1102: By George! It’s the David Frost Theme - take 1 /It’s Now Or Never (White Sessions)
1103: By George! It’s the David Frost Theme - takes 2 and 3 (Anthology DVD)1104: Hey Jude - take 1 (Lost And Found)
1105: Hey Jude - take 2 (Video 1)
1106: Revolution - rehearsal (We’d Like To Carry On)
1107: Revolution - take 1 (Anthology Video + Anthology Director’s Cut)
1108: Revolution - take 2 (Video 1)
1109: Hey Jude - edit of takes take 1+3 (Revolution)
1110: Hey Jude - edit of takes take 1+2+3 (Anthology Video + White Sessions)
ROCK AND ROLL CIRCUS - 11 December, 1968
1111: dialogue/Yer Blues - (Lost Lennon Tapes)
1112: dialogue (Rock and Roll Circus)
1113: Jam - take 1 (Lost Lennon Tapes)
1114: Yer Blues - take 1 - mono, no vocals (Lost Lennon Tapes)
1115: Yer Blues - rehearsal - mono, no vocals (Lost Lennon Tapes)
1116: Yer Blues - take 2 - stereo (Rock and Roll Circus DVD + Sergent Pepper's Lonely Hearts Club Band: A History Of The Beatle Years)
1117: Yer Blues - take 1 - stereo (plus take 2 applause!) (LLT+Rock and Roll Circus)
1118: Her Blues - take 1 - stereo (Rock and Roll Circus)
1119: Yer Blues - take 2 – mono acetate (The Dirty Mac Sessions)
1120: Her Blues - take 1 - mono acetate (Dirty Mac Sessions)
DISC TWELVE - whitecasts
THE CILLA BLACK SHOW - 6 February, 1968
1201: reading viewer mail (Vinyl To The Core)
1202: ventriloquism/Nellie Dean (Vinyl To The Core)
1203: Do You Like Me (Vinyl To The Core)
THE KENNY EVERETT SHOW - 6 June, 1968
1204: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)
1205: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)
1206: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)
1207: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)
1208: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)
1209: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)
1210: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)
1211: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)
THE SMOTHERS BROTHERS COMEDY HOUR - 8 November, 1968
1212: George’s Cameo
ALTERNATE MIXES
1213: By George! It’s the David Frost Theme - takes 2 and 3 - (Anthology Video)1214: Hey Jude - edit of takes 1+2+3 (Anthology DVD)
1215: Revolution - take 1 (Anthology DVD)
1216: dialogue/Yer Blues - (Rock and Roll Circus DVD)
1217: Yer Blues - take 2 wide stereo (Ultra Rare Trax Vol. 7 + SPLHCB:AHOTBY)
1218: Her Blues - take 1 - wide stereo (Yer Blues (Library))
1219: Yer Blues - take 2 (Rock and Roll Circus DVD)
1220: Kenny Everett Interview (Attack Of The Filler Beebs Ep. 3) (Part of the Broadcast version, featuring Everett’s edits and sound effects.)
1221: Yer Blues - take 2 - mono (Lost Lennon Tapes)
1222: Her Blues - take 1 - partial mono (Lost Lennon Tapes)
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Saturday, September 15, 2007

The Beatles - 1968 - Magical Mystery Tour - Deluxe Volume 1

The Beatles
1968Magical Mystery Tour - Deluxe Edition

Purple Chick

DISC ONE - stereo
DISC TWO - mono










DISC ONE - stereo
101: All You Need Is Love
102: Baby You're A Rich Man
103: Hello Goodbye
104: Magical Mystery Tour
105: Your Mother Should Know
106: I Am The Walrus
107: The Fool On The Hill
108: Flying
109: Blue Jay Way
110: Lady Madonna
111: The Inner Light
112: All Together Now
113: Hey Bulldog
114: It's All Too Much
115: Across The Universe
116: Christmas Time (Is Here Again)
Alternate stereo mixes
117: I Am The Walrus (US mix)
118: Magical Mystery Tour (video mix)
119: Blue Jay Way (video mix)
120: Your Mother Should Know (video mix)
121: All You Need Is Love (anthology mix)
122: I Am The Walrus (anthology mix)
123: Hello Goodbye (anthology mix)
124: Lady Madonna (anthology mix)
DISC TWO - mono
201: All You Need Is Love
202: Baby You're A Rich Man
203: Hello Goodbye
204: Magical Mystery Tour
205: Your Mother Should Know
206: I Am The Walrus
207: The Fool On The Hill
208: Flying
209: Blue Jay Way
210: Lady Madonna
211: The Inner Light
212: All Together Now
213: Hey Bulldog
214: It's All Too Much
215: Across The Universe
216: Christmas Time (Is Here Again)
Alternate mono mixes
217: I Am The Walrus (US mix)
218: All You Need Is Love (film mix)
219: Magical Mystery Tour (film mix)
220: I Am The Walrus (film mix)
221: Your Mother Should Know (film mix)
222: anthology DVD medley
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