Sunday, April 27, 2008

Pink Floyd: Under Construction (Wall Demos) 1978 (.shn)


















Pink Floyd's The Wall (1979) stands as one of
Pink Floyd's greatest achievements, as well of one of the greatest achievements in rock music and live concert production. The album spawned a tour, a film, a book of the film (now quite collectible), and eventually an all-star revival concert in Berlin, and finally in 1999 a double live album.
But before The Wall was a film, a concert, or even an album, The Wall was just an idea... an idea under construction. The Wall went through at least two "demo" stages. The first was a crude recording of Roger Waters strumming his guitar and singing alone.
Presented by waters at the same time as another concept called The Pros and Cons of Hitch Hiking, Waters' first demo -still uncirculated even today - was deemed unlistenable by the rest of the band, but they felt it had potential. The Hitchhiking demo was set aside, but The Wall demo was developed further.
Many writing sessions later, Pink Floyd - probably with assistance from Bob Ezrin - recorded a second, more complete demo. The lyrics were not polished, and neither was the music. Thankfully, lyrics like "I am a physician/ who can handle your condition/ like a magician" would be entirely discarded and rewritten before the songs were finally committed to tape in a studio, But the rough lyrics and the risky musical experiments which appeared in that second demo have finally made it to the public.
These demo tapes have circulated among just a very few collectors since about 1999. Now it is available for all fans. This recording presents the entire 'work in progress' in the best sonic quality available on CD.
If you have the ability to burn CD-Rs, please feel free to distribute this recording to others who are interested.

1.In The Flesh? 3:22
2.The Thin Ice 2:37
3.Another Brick In The Wall 1 3:28
4.The Happiest Days Of Our Lives 1:29
5.Another Brick In The Wall 2 2:03
6.Mother 4:36
7.Goodbye Blue Sky 2:11
8.Empty Spaces 1:51
9.Young Lust 3:32
10.One Of My Turns 2:26
11.Don't Leave Me Now 3:54
12.What Shall We Do Now? 2:22
13.Another Brick In The Wall 3 1:25
14.Goodbye Cruel World 1:02
15.Is There Anybody Out There? 1 0:53
16.Vera 1:17
17.Bring The Boys Back Home 0:42
18.Is There Anybody Out There? 2 1:19
19.Is There Anybody Out There? 3 2:01
20.Comfortably Numb 4:46
21.Hey You 3:56
22.The Show Must Go On 2:07
23.In The Flesh 4:31
24. Run Like Hell 4:58
25. Waiting For The Worms 3:47
26.Stop 0:35
27.The Trial 4:57
28.Outside The Wall 1:23
Total Time: 73:40

megaupload:

The Rolling Stones - Live At The El Mocambo - March 4th and 5th, 1977 Toronto Canada























On March 4th and 5th, 1977 The Rolling Stones performed for 2 nights to an over-capacity crowd on the 2nd floor of the historic El Mocambo billing themselves anonymously as "The Cockroaches". Their opening act was the popular Canadian band, April Wine. It was The Stones' first small club performance in 14 years, and was recorded and released as the album "Love you Live" The El Mocambo was "very similar to the Marquee in 1963," remarked Mick, referring to the famous London Marquee that the Stones played some of their very first gigs. It would not be the last time a famous rock act would record at the El Mocambo. Elvis Costello would record a live show at El Mocambo the following year, and in 1983 Stevie Ray Vaughn and his Double Trouble band would videotape his now classic performance there.

(soundboard)

01. Worried About You
02. Crackin' Up
03. Let's Spend The Night Together
04. Route 66
05. Hand Of Fate
06. Aroud And Around
07. Crazy Mama
08. Little Red Rooster
09. Dance Little Sister
10. Route 66
11. Mannish Boy
12. Crackin' Up
13. Around And Around








http://rapidshare.com/files/109930716/1977_-_El_Mocambo.rar.html

The Rock Is Dead Session - The Doors - February 25, 1969
















On Tuesday, February 25, 1969, the Doors were recording at Sunset Sound. Jim laid down two stentorian versions of "When I Was Back in Seminary School," his scary southern gospel radio riff, plus a blues titled "Build Me a Woman" - also known as "The Devil Is a Woman," lifted from Robert Johnson's "Me And The Devil." A new bootleg record of the unreleased Robert Johnson recordings had just appeared, and Jim immediately reworked "Love in Vain," which the Rolling Stones would soon approipriate. He also cut a sing song fragment called "Whiskey, Mystics, and Men," with accompaniment by the band.



That eveing the Doors and their entourage went out to supper together at a local Mexican joint, the Blue Boar, where they stuffed themselves in a private dining room and drank beer and tequila for a couple of hours. Well lubed, they returned to the studio, and started jamming. Jim sang Elvis's "Love Me Tender" and, as the band played free form R & B, started improvising about the death of rock and roll. He kepr repeating "Rock is dead," and "Listen, listen, I don't wanna hear no more talk about revolution," as if trying to damn the rock movement as something that was definetly over. "I'm not talking about no revolution," Jim sang. "I'm not talking about no demonstration. I'm talking about...the death of rock and roll....The death is rock, is the death of me....And rock is dead,...We're dead! All right! Yeah....Rock is dead!"


This was then interspersed with a memory riff. The singer was now a child, overhearinghis mother complain about him to his father. "Mama didn't like the way I did my thing. Papa says, 'You gotta hit him, baby.'...And I'm feeling real bad, real bad, real bad.



The "Rock Is Dead" jam - forty-five minutes of primal bar-band R & B - was Jim Morrison's disgusted, explicit farewell to the rock movement that had launched him into immortality. It summed up the depressive, changing climate of the youth movement of 1969, when the Haight-Asbury had become a slum of panhandlers, burnouts and runaways. Led Zeppelin was hammering its way to the top. Ken Kesey had denounced LSD. The Nixon presidency escalated the war in Vietnam and started persecuting its critics. The Doors had lost the avant-garde, and were now hated by the same writers who had fawned on them the year before. Jim Morrison's original audience - college students and bohemians who responded to the long silences and mannered gestures of rock theater - had been replaced by dopey high school kids, pressed together like goats, giggling at "The End" and catcalling to Jim, "Hey, you wanna fuck me?" It was all too much. For Jim, rock was truly dead


Jim later explained: "We needed another song for this album. We were wrecking our brains trying to think - what song? We started throwing up these old songs in the studio. Blues trips. Rock classics. Finally we just started playing, and went through the whole history of rock music - blues, rock and roll, LAtin jazz, surf music, the whole thing. I called it 'Rock Is Dead.' I doubt if anyone will ever hear it."The "Rock Is Dead" session remained officially unreleased for almost thirty years, but was notoriously bootlegged and became familiar to fans of the Doors. Tapes of this session also featured an early Doors version of Elvis' "Mystery Train." This would soon become a Doors concert staple when the band was prodded by Jim Morrison into more conservative, and personally manageable, artistic terrain.



CD RIP AT 320 MB
(no artwork)
Password: mza-acid







Friday, April 25, 2008

"Other Voices" and "Full Circle" - The Doors - 1971 & 1972























While I'm glad that these two albums have been released as a 2 for 1 CD, I'm not really recommending them for anyone but die-hard Doors fans. I've had both of these on vinyl for years. I find Other Voices almost completely unlistenable and think that Full Circle has three very good songs on it.
The main problem here is the vocals, handled by Ray Manzarek and Robby Krieger. What were they thinking? Neither of them can sing, especially Manzarek, who actually has a good voice, but tries too hard to sound like a Soul man and a boogie-woogie rock-n-roll man. His vocals are embarassing, and this is even more sad given how well he could sing the Jim Morrison Doors' songs. Guitarist Robby Krieger isn't much better, though I certainly can tolerate his thin, nasally voice much more than Manzarek's deep baritone voice. At least I don't feel like turning the music off when Krieger sings. Still, Manzarek and Kreiger should not have thought that they could replace Morrison as singer. It was silly!! It would have been like Tony Iommi and Geezer Butler taking over lead vocal duties after Ozzy left Black Sabbath.
I have tried to listen to Other Voices, but have been so unimpressed as what little I heard, that I didn't bother to go back and give it another listen. It would have been too painful.
Full Circle, however, has about three very good songs on it. The Mosquito starts off kind of humorous (intentionally humorous, I may add) with Krieger singing in Spaniash (or Mexican, I can't tell the difference) about a very annoying mosquito that is making it tough for him to enjoy his burrito. Most of the song is filled with some very exciting jamming between Krieger, Manzarek and Densmore. Densmore in particular sounds more awake and excited on this track than on any other tune on both albums. Densmore helped write the next track, The Piano Bird, which is a very laid back, jazzy tune and one of my favorite songs here. Not very Doors-like, but good nonetheless. I can even tolerate Ray's singing on it! It Slipped My Mind is another very good song...it's catchy, has a good, bluesy guitar riff to it and musically would not have sounded out of place on L.A. Woman. Other than these three songs and some exciting musical passages here and there on the first half of Full Circle, the rest of this is pretty lousy. I don't think that Jim Morrison was the Doors or vice-versa, but The Doors were certainly MUCH MUCH better with him and more focused musically. And Morrison wasn't just a singer (and a poet), he was also a presence, something that Manzarek and Krieger definitely are not. And some of the song titles...Jim Morrison never would have let The Doors title one of their songs ' I'm Horny, I'm Stoned '!


THE DOORS - Other Voices (1971)
Bitrate: 256K
RAR File Size: 73.56 MB
Original RIP Source: Vinyl
Tracklist:
1. In The Eye Of The Sun
2. Variety Is The Spice Of Life
3. Ships w/ Sails
4. Tightrope Ride
5. Down On The Farm
6. I'm Horny, I'm Stoned
7. Wandering Musician
8. Hang On To Your Life

The Band:Robby Krieger (Guitars, Vocals)
John Densmore (Drums)
Ray Manzarek (Keyboards, Vocals)


The Doors - Full Circle
Released: 1972
Bitrate: 256K
RAR File Size: 74.64 MB
Original RIP Source: Vinyl
Tracklist:
1. Get Up And Dance
2. 4 Billion Souls
3. Verdilac
4. Hardwood Floor
5. Good Rockin'
6. The Mosquito
7. The Piano Bird
8. It Slipped My Mind
9. The Peking King And The New York Queen
The Band:
Robby Krieger (Guitar & Vocals)
John Densmore (Drums)
Ray Manzarek (Keyboards & Vocals)
with
The Other Voices -Clydie KingVenetta FieldsMelissa Mackay

Saturday, April 19, 2008

Electric Light Orchestra - Live In Koln, Germany - March, 1982






















Electric Light Orchestra
Live Concert in Koln, Germany
March, 1982.
SQ: B+ (Could be A- with a little remastering)
FLAC files

This is a very good audience recording taken from ELO's Time Tour. It was recorded in Koln, Germany, in March of 1982. Bev Bevan was ill, so Pete King from After The Fire sat in on drums. Highlights include the John Lennon medley as well as the hits medley where the band reviews their recording hits legacy in rapid fire fashion.

The audience here is very "enthusiastic" to say the least and respond loudly to every piece of music with their incessant clapping. They really do capitulate to the band's instructions to "clap your hands and stamp your feet!"

Still a good show though it runs a tad too fast. Check it out...you won't be sorry. Been looking for this concert recording for quite awhile. Thanks Daz.

01. Twilight
02. Yours Truly 2095
03. Evil Woman
04. Livin Thing
05. Telephone Line
06. From The End Of The World
07. The Way Life's Meant To Be
08. John Lennon Medley
Hits Medley
09. Showdown
10. Ma Ma Ma Belle
11. Can't Get It Out Of My Head (Beginning cut)
12. Wild West Hero / Fire On High
13. Turn To Stone
14. Mr. Blue Sky
15. Sweet Talkin' Woman
16. Shine A Little Love
17. Last Train To London
18. Confusion
19. Do Ya
20. Rockaria!
21. Hold On Tight
22. Don't Bring Me Down
23. Roll Over Beethoven

Saturday, April 12, 2008

Rock 'N' Roll Music (US Stereo LP - Capitol) (2 On 1) [FLAC]








































Yeah Baby! Now this is the way I remember the Beatles having grown up in the 70's and listening to them on this and other compilation albums. This is easly one of my FAVES! The soundtrack to the summer of 1976. I picked up the original foil covered, embossed Capitol Records double LP set at Kelley's Stereo Mart in Edmonton way back when and I still have it to this day!The song order and remixes are just fantastic! The sound quality is unbelieveable.

This CD issue is a fantastic addition to the Dr. Ebbett collection. Although there are some conflicting reports as to exactly how much George Martin re-tweaked these recordings for inclusion in the 1976 "Rock & Roll Music" double album (later split into a separate Volume 1 and Volume 2), the mixes presented here are really enjoyable. To my ears, the most dramatic differences can be heard in the earlier (pre-'65)recordings. This is one of the only handful of places to find some great quality, relatively sane-sounding stereo mixes of early songs like Twist and Shout, I Saw Her Standing There, and You Can't Do That. That is to say, here you can find stereo mixes where the vocals and the instruments are actually centered instead of being panned separately into odd places in the stereo picture like they are on the conventional 'stereo' versions available on the regular albums. As well, these mixes seem to have the bass, midrange and trebble boosted a bit...and while not neccessarily faithful to the 'original' mix, it makes them sound more contemporary on a modern system. Low harmony vocals on "I`m Down" are more noticable, "Back in the USSR" screeches at you with lots more aeroplane noises. Indeed this collection is one of the best sounding to my hears and comes blasting out of a good surround system! Full artwork included.

Grab a copy now! You won't regret it. Crank this album up!

http://www.megaupload.com/?d=3TWPSUVX
Thanks to Serena!

Fleetwood Mac: Live at The Nashville Municipal Auditorium - May 21st, 1977



Fleetwood Mac: Nashville 1977
Live in Nashville May 21, 1977
Nashville Municipal Auditorium
Stereo Soundboard SQ: 10/10


From the summer of '77 this show catches the band in full swing on the "Rumours" tour. The performance is spot on - with everyone in great voice and playing extremely well. The recording is almost official release quality. If you are even a casual fan of this era of Fleetwood mac, don't miss this one. It's really a great sounding show!


Cd #1
01 Welcome
02 Say You Love Me
03 Monday Morning
04 Dreams
05 Oh Well
06 Rhiannon
07 Oh Daddy
08 Never Going Back Again
09 Landslide
10 Over My Head
11 Gold Dust Woman


Cd #2
01 You Make Loving Fun
02 I'm So Afraid
03 Go Your Own Way
04 World Turning
05 Blue Letter
06 Second Hand News
07 The Chain
08 Songbird
God Bless, itsjustme2.0

Tuesday, April 8, 2008

Genesis - 1974-12-16 - Toronto






(Soundboard mp3@320)

CD1:
01 - The Lamb Lies Down On Broadway 05:07
02 - Fly On A Windshield 02:28
03 - Broadway Melody Of 1974 02:12
04 - Cuckoo Cocoon 02:20
05 - In The Cage 08:03
06 - The Grand Parade Of Lifeless Packaging 02:56
07 - Story Of Rael Part 1 01:29
08 - Back In N.Y.C - 06:16
09 - Hairless Heart 02:43
10 - Counting Out Time 03:34
11 - Carpet Crawlers 05:42
12 - The Chamber Of 32 Doors 05:57
13 - Story Of Rael Part 2 02:31
14 - Lilywhite Lilith 02:56
15 - The Waiting Room 05:39
16 - Anyway (cut) 00:56
17 - The Lamia 03:35
18 - Silent Sorrow In Empty Boats 00:52

CD2:
01 - The Colony Of The Slippermen 08:41
02 - Ravine 01:36
03 - The Light Dies Down On Broadway 03:45
04 - Riding The Scree 04:26
05 - In The Rapids 02:13
06 - It 04:16
07 - The Musical Box (Ending Section) 00:54
08 - Watcher Of The Skies 07:55

Type/Quality: Soundboard/Very Good

Comments:

At the Maple Leaf Gardens in Toronto. This recording is one of numerous Farm-sourced recordings from this tour to surface in 2007. Whereas most of the Lamb shows taped by the road crew seem to have been made with a backstage microphone, this is one of a few that is a real soundboard. The sound quality is therefore quite nice, though I heard the occasional buzz and perhaps a few pops, probably from the original tapes.

Unfortunately the show is chopped up. As usual the cuts begin a little past halfway in the performance: we get only the beginning minute of "Anyway" before it abruptly cuts off and we jump to the ending verse of "Lamia." Though in Paul Russell's book he notes a complete "Silent Sorrow," this version (which matches the one listed by Simon on The Movement) only has the first minute of the song before the recording once again cuts off, ending the first disc.

The rest of the Lamb performance continues without a cut. Peter omits a few lines from "In the Rapids," as he often did on this tour, especially in the early days. Unfortunately we are left with only the ending minute of "Box," but we do get the complete second encore, "Watcher."

http://www.megaupload.com/?d=FDIF9R0O
http://www.megaupload.com/?d=3EIY8GYY
http://www.megaupload.com/?d=UD4A7G8P

Sunday, April 6, 2008

Genesis - Centre Sportif, University of Montreal, 21st April 1974


An entire "Selling England By The Pound" set was broadcast live on the air by Montreal radio station CHOM-FM (not to be confused with Toronto's local station CHUM-FM). Genesis were supported that night by Peter Hammill though his songs, introduced by Peter Gabriel, were not broadcast. To round things off CHOM-FM also broadcast a 20 minute post-concert interview and phone-in with Gabriel.


Watcher Of The Skies
Dancing With The Moonlit Knight
The Cinema Show
I Know What I Like
Firth Of Fifth [with piano intro]
The Musical Box
Horizons
The Battle Of Epping Forrest
[story]
Supper's Ready


Apparently the live broadcast was sent by telephone from the hall to the radio station, so the original sound is slightly compressed. Nevertheless the broadcast spawned many bootlegs, the more recent CD versions having good sound - for example, "Live In Montreal" [Swingin' Pig Records TSP-CD 040-1/2 - 2CD]. A superior version is circulating on CDR whose provenance is a reel-to-reel tape recorded off air; it includes the Supper's Ready story which is absent from all previous bootlegs. Some listings claim this version stems from pre-FM reels but the cross line telephone conversation during Horizons indicates it must be recorded from broadcast.


This particular show is a good one to own, not just because it is the only complete professional recording of this set but also because it sports a finely honed performance. Genesis had been on the road with this material for seven months and had already delighted the Montreal crowd at an earlier visit in October 1973. Watch out especially for some great upbeat backing vocals from Phil - during Willow Farm for example.


(Tony Banks struggles through the piano intro to 'Firth'which was eventually no longer included in live performancesof this song. His work on the early albums is nothing shortof genius but it has to be said - he is ALL right hand.)
Ripped at 320kbs with brand new covers. Thanks to Titus.