Tuesday, February 24, 2009

Mission Aborted - Boston - 1975-76.






















"Mission Aborted"
Issued 1996

Setlist:
01 Love (Don't Be Afraid)
02 Help Me to Forget Her Name (Shattered Images)
03 San Fransisco Day (Hitch a Ride)
04 Shakin' (Mother's Milk Shake) (Smokin')
05 She's a Looker/Talkin' to the Wall
06 Rock n' Roll Band
07 Life Isn't Easy (Something About You)
08 More Than a Feeling
09 Don't Be Afraid of Love
10 Peace of Mind
11 San Fransisco Day (Hitch a Ride)

Lineage: I found this on Zomb as posted by Gary. No lineage was given. Sounds like it came off an LP at some point.

Recording notes: Since I posted "We Found It In the Trashcan, Honest!", I wanted to pass this one along here too. The first 5 songs are different sessions than the last 6, which are the same 6 songs found on the "Trashcan" bootleg. You be the judge as to which sounds better!
The setlist I found for "Mission Aborted" separated "She's a Looker" and "Talkin' to the Wall" into two tracks, but they are actually one track (It's a jam though!). The setlist also claims "San Francisco Day" is the last track, but the song was nowhere to be found. I have added the very same "San Francisco Day" from my "Trashcan" boot to complete the setlist. I've also read that the song "Foreplay" can be found on some other bootlegs included with the rest of the first 5 songs. The original `Mission Aborted` bootleg includes a 2nd disk sometimes referred to as an unreleased Boston album, but it is actually Barry Goudreau's solo album from 1980.

rapidshare.com:
http://lix.in/-3b9aad
http://lix.in/-3d214e
http://lix.in/-3ea7ef

megaupload (fixed):
http://lix.in/-402f26
http://lix.in/-41b5c7
http://lix.in/-3a7a3c


Thanks as always to Dave 2.0.

Saturday, February 21, 2009

Cheap Trick - In Color - Steve Albini Version + Red Ant



















Here is an upgrade to CHEAP TRICK - THE STEVE ALBINI VERSION. Same 15 tracks with pops, clicks, and clips removed and/or reduced and then I fine-tuned as much as I could and added four tracks. I fixed some glitches and drop-outs as best I could and am very happy with some of them. Some tracks needed no fine-tuning. I don't want to take credit for things I didn't do.

I am learning to use Cool Edit Pro better and now the intro to Can't Hold On is DeClicked and I fixed a glitch. The Red Ant/CT 97 Sessions tracks were the ones that stood out to me on the first listen and had also been selected by others for inclusion on Rarities compilations. I cleaned up as much noise as I could at each end and did lots of EQ work.

I didn't make a cover, but included the front cover I found and I know I have seen another one. Burn with NO GAPS, as I factored them into the tracks to replicate the running sequence on the normal In Color CD.

Thanks as always to Badfinger54.

Tracks:
01 - Hello There
02 - Big Eyes
03 - Downed
04 - I Want You to Want Me
05 - You're All Talk
06 - Oh Caroline
07 - Clock Strikes Ten
08 - Southern Girls
09 - Come On, Come On
10 - So Good to See You
11 - Fan Club
12 - I Want You to Want Me (alternate)
13 - Can't Hold On
14 - I'm Losing You (Lennon)
15 - Oh Caroline (alternate)
16 - Radio Lover
17 - Baby No More (demo-Tom vocals)
18 - Heart on the Line
19 - Rosie

Tracks 1-10 are the "In Color" album re-recorded. Tracks 11-15 are outtakes and alternates. Tracks 16-19 from the CT 97 Sessions (Red Ant Sessions) CD set and 'remastered' by Superflash. I think this is the best they have sounded as of now.

http://rapidshare.com/files/199495397/In_Color-Albini_Version.rar

Tuesday, February 17, 2009

V.A. "CTV's After Four" (1968 Yorkville Lp)













After finding a trashed, warped copy of this LP, I finally found a pretty nice copy of CTV's After Fourcompilation from 1967 featuring music artists from Canada that were featured on this television program. WOULD LOVE to know how much of this footage exisits if any on video. Very ambitious collection with mostly artists that were on the progressive Yorkville label from Toronto, Ontario, Canada. Some other artists do appear that was on the label that pressed all of Yorkville's stuff... the infamousARC label. This would be the 2nd in a series of 2 that Yorkville records put out, the other LP being"Yorkville Evolution" with the very desireable psychedelic cover. But this comp has the better selectionof music IMHO. Interesting to note, a misprint on the sleeve and label of the record, side two, track two is credited to "Bob Francis -I'm a bad bad boy" Well, it is really the very first Pink Floyd cover everof "See Emily Play by, well, I'm not sure, as it is not labeled..it's either "okee pokey band" or "3 to 1"wow.

This 1967 album ties-in with a short lived afternoon program which ran on Canada's CTV network which included singer Susan Taylor among the regular hosts. For the most part the covers are done skillfully and often very uniquely (The Sugar Shoppe and Three To One tracks). The Willapuss Wallapuss track sounds like what you'd get if the Turtles covered a Beach Boys song, only better! Patricia Anne sings her song, sounding more like 'Change In Time', in a style evocative of the Pozo Seco Singers of the same era. What a sweet treat. Now dig it.

http://www.megaupload.com/?d=TGOZN24W

Hugo Winterhalter - Wish You Were Here - 1959.























I hope you all had a romantic Valentine's day with someone special or a fun evening with friends.
Lush easy listening instrumental music from the man who was head conductor for RCA Records in the 1950s & '60's.

http://rapidshare.com/files/198044828/Hugo_Winterhalter.zip

The Rhythm Butchers! aka The Turtles






















When the strain of endless touring and hassles became too much. and the boys needed to let off steam and relax, rather than heave TV sets out of windows - which was the fashionable thing to do - they would return to the hotel, ingest various mind-altering substances into their systems, and get "out of it,' totally. They then proceeded to rotate whatever instruments were handy, and "butcher" pop classics of the day. Typical was their medley of "Johnny B. Goode" and "Exodus." It was an interesting face. The underside of rock 'n' roll coming out; the Mr. Hyde to the Dr. Jekyll. On record the Turtles were pristine, polished and accomplished. Back in their hotel rooms, with their hair down even farther, they were loose, consummately sloppy and incoherent. Perversely enough, Kaylan and Volman recorded all of those interludes (which slowly eked out in limited editions as "The Rhythm Butchers") on a normal, cruddy cassette machine.

http://rapidshare.com/files/199171939/The_Rhythm_Butchers.rar

From Dr B to Dr F: Hey thanx!

Monday, February 16, 2009

Led Zeppelin: Their Last 1980 Performance (Berlin ) Soundboard (FLAC)






















"The Last" (Immigrant)
July 7, 1980
Berlin Germany
St/Sb 9
Silver>Eac>Wav>Flac
Art Included
NOTE: Final performance. Possibly the longest versions ever of Stairway and Whole Lotta Love (without a medley).

Disc 1
Train Kept A-Rollin'
Nobody's Fault But Mine
Black Dog
In The Evening
The Rain Song
Hot Dog
All My Love
Trampled Underfoot
Since I've Been Loving You

Disc 2
White Summer/Black Mountain Side
Kashmir
Stairway To Heaven
Rock And Roll
Whole Lotta Love

The last show of the tour and Led Zeppelin's final performance in its original form begins with the familiar opening chords of Train Kept a Rollin', the same song that opened the band's first recorded concert in Spokane eleven and a half years earlier. Plant exclaims "now rock it, rock it, rock!" as Page tears into a blistering guitar solo. The band pounds through a thunderous Black Dog, which is once again introduced as "a number from the annals of rock history." Plant barks aggressively through In the Evening. Page's fingers are a bit sticky during a somewhat lackluster performance of The Rain Song. As the song ends, Plant tells the crowd "this is the last concert, so... we intend to have a better time now perhaps than we have done before." Hot Dog is introduced as "a song for Texas." Page stumbles through a sticky-fingered guitar solo as the band hammers through an extended Trampled Underfoot.

Achilles Last Stand has been inexplicably dropped from the setlist, leaving Page to stall the crowd while his guitar is being tuned before White Summer/Black Mountain Side. His fingers become hopelessly entangled in the strings throughout the song. Plant delivers a powerful performance during Kashmir. The crowd erupts as Stairway to Heaven begins. Page's fingers are a bit sticky as he wanders through an epic guitar solo, the longest ever. Plant asks the crowd "anything in particular?" before the band launches into an explosive Rock and Roll. The crowd goes wild as Page tears into the show-closing Whole Lotta Love. The theramin freakout has been transformed into an extended free-form jam. Bonzo and Jones hammer through a frantic rhythm as Page creates a symphony of dissonant howls. Plant pushes his voice to the limit during the song's thunderous finale. The crowd is left begging for more as the band leaves the stage for the last time ever. Two and a half months later, the tragic death of John Bonham on September 25, 1980 would effectively put an end to the greatest rock band of all time. The end of an era.

The tape is an excellent soundboard recording, briefly augmented by an audience source.

rapidshare.com:
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New Mown Grass Revisited - Pink Floyd - 1971 FLAC.



















That Night in 1971
Well, first: What this Release has to do with a raw master is ah... mh... err..., well at least it once WAS a Raw Master!
Ok, this time for real. To say it in a few words: Man, what a show!!! As buffalofloyd say in his txt "[...] the show is absolutely stellar [...] but CwtAE and FOS steal the show.".
This is really one of the greatest Floyd-Moments ever captured, and this is why I decided to polish it up. Here's the result. This is only for your dining and dancing pleasures, it´s not meant as a substitute or even upgrade to buffalo's release.
And this is where there "Purist Warning" has to be given.
In addition to the lineage of buffalofloyd's original "New Mown Grass" there is:
De-Humming > HF-Synthesizer (Yes, artificial HF content was added!) > Transient Driven EQ > Bass Enhancer > Harmonic Exciter > Slight Noise Reduction > Multiband Compression > Harmonic EQ > Normalizing
This is the CD-A Version (44.1 kHz , 16 bit)
Original Notes:
Pink Floyd
"New Mown Grass"
PinkRoioShn-CDR-008 (PRS-CDR-008)
date/venue: 1971.10.17 Convention Hall, Community Concourse, San Diego, CA
lineage: cass[M] > cass[1] > Hi-Fi > DAT[2] > shn @ 16bit/48khz > TLH > wav > Adobe Audition 1.5 (speed and pitch correction) > cd wav (cutting tracks and flac conversion) > flac @ 16bit/48khz

Disc 1:
01. Careful with that Axe, Eugene [12:59]
02. Fat Old Sun [15:37]
03. Atom Heart Mother [15:52]
04. The Embryo [11:41]

Disc 2:
05. Set The Controls For The Heart Of The Sun [12:48]
06. Cymbaline [11:41]
07. Blues [5:40]

total length: 86:21
notes: What you now have in your possesion is quite possibly the greatest live Pink Floyd performance ever captured. CwtAE and FOS are amongst the best renditions I have ever heard.
The rest of the show is absolutely stellar as well but CwtAE and FOS steal the show.
Gilmour and Rick were exceptional on this night and they're playing on these two tracks is enough to make you shed a tear.
I am pleased to present to you a speed and pitch corrected version of this event in history. Previously this tape was out of pitch and the speed was a bit slow. I have corrected this. And now for the disclaimer... I do all my speed and pitch adjustment by ear only and not with the use of comparing against other shows or individual tracks or any crazy tools. I do not guarantee the speed or pitch to be completely accurate, this is basically my interpretation of the way I have always wanted this show to sound. No remastering was applied to this at all (as if it needs any).

rapidshare.com:
http://lix.in/-38ab5c
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Thanks 2.0!!

Asia: The Phoenix Tour - Osaka May 2008 (VG+ Aud) FLAC






















Date: May 9th 2008
Venue: Kousei Nenkinkaikan Osaka Japan
Title & Catalog #: The Firebird has landed (T&J-Jpcd-005/006)
Sources: Audience Recording
Sound Qualtiy: VG+/EX- Aud
Tapers: Tom & Jerry
Art Work Designer: Mickey Jaggar
Lineages: Source1(track #1-24)
AT mic > Church Audio Pre > TCD-D100
Sony DAT DECK 59 ES>Edirol UA-5>Optical In>PC>Sound Forge Ver.09>Wav>Flac(dBpowerAMP Music Converter / Compression Level Medium)
Source2(the remaining 6 tracks)
DPA4061 > Church Audio Pre > Korg Mr-1>PC>Sound Forge Ver.09>Wav>Flac(dBpowerAMP Music Converter / Compression Level Medium)

Set List/Disc Info
01 Intro
02 Day Light
03 Only Time Will Tell
04 Wildest Dreams
05 Never Again
06 Roundabout
07 Time Again
08 Cutting It Fine(Geoff Downes Solo)
09 Clap(Steve Howe Solo)
10 Voice Of America(John Wetton Solo)
11 The Smile Has Left Your Eyes
12 Ride Easy
13 Open Your Eyes
14 Fanfare For The Common Man
15 Without You
16 An Extraordinary Life
17 In The Court Of The Crimson King
18 Video Killed The Radio Star
19 The Heat Goes On
20 Drum Solo(Carl Palmer Solo)
21 Heat Of The Moment
22 Waiting Crowd
23 Don't Cry
24 Sole Survivor
01 Never Again
02 An Extraordinary Life
03 Roundabout
04 Fanfare For The Common Man
05 The Court Of The Crimson King
06 Video Killed The Radio Star

Recording Info:
Tom & Jerry recorded the entire show from the SWEET SOUND SPOTS in the center block on the floor.
Notes from Tom & Jerry
A few minutes before the show started, we had a few minutes to talk with the sound crew. We asked them if they would record an Osaka show. They said No but some of them said jokingly that they might release the official bootleg. We had a good laugh about this because a few years ago, Voiceprint, trademark of official quality officially released several live CDs which were made from commercial bootleg CDs. I am not sure if Voiceprint or low budget CD labels use this recording. But unless they use this or other audience recordings, an Osaka show will never be available.

rapidshare.com:
http://lix.in/-27176b
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http://lix.in/-334c73
http://lix.in/-34d314
http://lix.in/-271775

Thanks 2.0!!

Led Zeppelin: Madison Square Garden 1973 (Soundboard) FLAC






















Date: 1973-07-29
Venue: Madison Square Garden
Location: New York, USA
Source: SBD(disc1-3), AUD(disc4)
Lineage: Silver CD > EAC > WAV > Trader's Little Helper > FLAC(level 7)
Title: Grand Finale (4CD)
Label: Empress Valley
Art Included

Disc 1
01.Rock And Roll
02.Celebration Day
03.Black Dog
04.Over the Hills And Far Away
05.Misty Mountain Hop
06.Since I've Been Loving You
07.No Quarter

Disc 2
01.The Song Remains The Same
02.The Rain Song
03.Dazed And Confused
04.Stairway To Heaven

Disc 3
01.Moby Dick
02.Heartbreaker
03.Whole Lotta Love
04.The Ocean
05.Organ Solo / Thank You

Disc4(AUD)
01.Dazed And Confused
02.Stairway To Heaven

rapidshare.com:
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Sunday, February 8, 2009

Seven (Contrasts) Bob Seger - 1975.

















On 'Seven', released in 1974, Bob Seger introduces his Silver Bullet Band (consisting of Drew Abbott on lead guitar, Chris Campbell on bass, Rick Manasa on keyboards, and Charlie Martin on drums), which would soon carry him to fame and fortune with his subsequent albums 'Beautiful Loser' and 'Live Bullet'. 'Seven' is, obviously, Seger's seventh album, but the dice on the cover, which add up to seven, suggest Seger was also hoping for a bit of luck as he rolled out this release. 'Seven' was following Bob's best album (IMHO), 'Back In '72', which only aspired to number 188 on Billboard's album charts, and the artist simply had to be wondering just how good he would have to be in order to achieve steady, national recognition. 'Seven', unfortunately, would not crack the Top 200. No surprise then that Bob began penning songs such as 'Beautiful Loser'.

But 'Seven' is far from being a loser. Unlike many musicians, who put out a lot of dubious work before gaining widespread acclaim, Seger had been putting out quality albums and singles since the mid-1960's. He was signed by a major label and toured extensively, so his inability to bask in the limelight is a mystery. Ironically, several of the songs on 'Seven' mark the transition in Seger's musical style that would finally turn popular attention his way.

'Seven' is a short disc, tallying just 30:24 over nine tracks. There were three singles released from the disc, the adrenalin-laced rockers 'Get Out of Denver' and 'Need Ya', and the bit more restrained, upwardly mobile 'U.M.C. (Upper Middle Class)'. Each song received significant airplay but failed to crack the Top 40. Nevertheless, each of these songs found a place in Seger's setlists in his more fertile years.

The first five tracks represented the opening side of the original vinyl version of 'Seven', and it was rock and roll heaven. Every song is infused with high levels of energy and emotion, especially 'Get Out Of Denver' ("...'cause you look just like a commie and you just might be a member...") and 'Need Ya'. Seger seems to be offering a history lesson on William Jennings Bryan with 'Cross Of Gold' ("you can crucify the world on a cross of gold") and a lesson on long-distance lust on 'School Teacher'.

Side two on the original vinyl opened with the mid-tempo rocker 'U.M.C.', featuring a nice wah-pedal guitar from Abbott, which unfortunately was becoming passe in the mid-1970's. 'Seen a Lot of Floors' is a barroom stomper, and probably the weakest track offered. On '20 Years From Now', a piano ballad, Seger heralds in the sound that would evolve into solid hits such as 'Like a Rock'. The closer, 'All Your Love', is a country rock number with a catchy melody and chorus suitable for Texas line-dancing. The last two songs make it apparent that Seger is branching out into unexplored territory, genres beyond the traditional garage-rock fare that had fueled so many of his previous discs.

As Seger moved beyond 'Seven' he left me behind. I may be a bit unusual in that I find much of Bob's earliest work to be his best. Tracks like 'Ramblin' Gamblin' Man', '2 + 2 = ?', 'Heavy Music', 'Ivory', and 'Rosalie' represent the Seger sound I love. Unfortunately, Bob has divorced himself from his early releases, so great albums such as 'Back In '72' and 'Seven' will cost you an arm and a leg to purchase in the CD format. I used a cassette to make this review, but Seger could give those fans who loved his music when others ignored it a real gift by re-issuing the CD versions. Doesn't sound like a bad way to make a buck, does it Bob?

Seven is indisputably the best album never to make the Top 200 Billboard album chart.
Standout cuts:
All of 'em. If Seger has a perfect album, this could be it. Play it loud.

Track listing

All songs written by Bob Seger

1. "Get Out of Denver" – 2:44
2. "Long Song Comin'" – 4:30
3. "Need Ya" – 3:22
4. "School Teacher" – 2:45
5. "Cross of Gold" – 2:23
6. "U.M.C. (Upper Middle Class)" – 3:15
7. "Seen a Lot of Floors" – 3:00
8. "20 Years from Now" – 4:32
9. "All Your Love" – 4:28

http://rapidshare.com/files/142040124/1974_-_Seven.rar

Back In '72 - Bob Seger - 1973












Returning to independent status, Bob Seger recorded Back in '72, not only the finest of his early-'70s albums but one of the great lost hard rock albums of its era. Seger didn't limit himself to self-penned songs on this excursion; borrowing an idea from Smokin' O.P.'s, he covers quite a few tunes, providing a balance to his own tunes. He makes "Midnight Rider" sound as if it were a Motor City raver instead of a sultry, late-afternoon Southern rocker, while casually tossing off "Rosalie," an irresistible ode to a local DJ that turned into a hard rock anthem when Thin Lizzy decided to record it later in the decade. That's the brilliance of Back in '72 — there's no separation between the original and cover, it's all united in a celebration of rock & roll. That's why "Turn the Page," perhaps the weariest travelogue ever written, never feels self-pitying — that's just the facts, according to a first-rate Midwestern band that never got a break. All the same, Back in '72 is a testament to great rock & roll, thanks to Seger's phenomenal songwriting and impassioned playing.

Track listing

All songs are written by Bob Seger, except where noted:

1. "Midnight Rider" (Gregg Allman) – 2:45
2. "So I Wrote You a Song" – 2:44
3. "Stealer" (Andy Fraser, Paul Rodgers) – 2:55
4. "Rosalie" – 3:22
5. "Turn the Page" – 5:11
6. "Back in '72" – 4:25
7. "Neon Sky" – 3:35
8. "I've Been Working" (Van Morrison) – 4:33
9. "I've Got Time" – 5:40

http://rapidshare.com/files/142045757/1973_-_Backin72.rar

Smokin' OP's - Bob Seger - 1972.
























Smokin' OP's is a reminder of how much fun it is to listen to Bob Seger. Even before he proclaimed himself of lover of old time rock 'n' roll in a song by the same title, Seger expressed that same sentiment through his rockin' delivery on each song on this disc.

Starting with "Bo Diddley", Seger cranks out some serious 'I gotta dance!' music. He shares with the listener his version of "Love The One You're With" and does a damn fine job of it. Passing over the rest of the covers (which are all terrific), we get to the last two songs on the CD, both original tunes - "Someday" and "Heavy Music." Having grown up on "Heavy Music", I must say that this is a real treat to hear it with such vibrant clarity. Have I mentioned how much I love remasters?

While Smokin' OP's isn't full of Bob Seger's greatest hits, and you have to scream "who cares? It's still awesome!", this is an essential CD for any rock lover's archive.

The cover art is a parody of Lucky Strike cigarettes. Smokin' O.P.'s refers to Smokin' Other People's Songs. Most of the tracks on this release are covers of songs written by other artists.

By the way, it should be noted that this disc has been enjoyed by three generations of my family. I've had to threaten my own father with revoked grandparental rights to get it back

Track listing

1. "Bo Diddley"/"Who Do You Love" (Bo Diddley) – 6:17
2. "Love the One You're With" (Stephen Stills) – 4:17
3. "If I Were a Carpenter" (Tim Hardin) – 3:47
4. "Hummin' Bird" (Leon Russell) – 3:46
5. "Let It Rock" (Chuck Berry) – 3:25
6. "Turn on Your Love Light" (Deadric Malone, Joseph Wade Scott) – 4:44
7. "James, Jesse" (Traditional) – 3:26
8. "Someday" (Bob Seger) – 2:31
9. "Heavy Music" (Seger) – 2:28

http://rapidshare.com/files/142052084/1972_-_Smokin__OP_S.rar

Brand New Morning - Bob Seger - 1971.

















Did not make the Top 200 Billboard album chart.

Seger on Brand New Morning: "...Nobody bought it and as a result it got me out of my initial Capitol deal in the early '70s." Timothy White, 1983, Musician. "The Roads Not Taken."

Zangrilli: "The recordings were intended as demos, but Capitol released it to satisfy Seger's contract. The album sold poorly. Seger has no desire to see it reissued. 'I've got that one buried in my backyard,' he once quipped." Joanne Zangrilli, Goldmine, November 1990.

Hey, it's a quip, okay? He doesn't really have it buried in his backyard. Beside's he's moved since then. Amazing how many times I hear about this "buried" thing.

Seger may not be fond of the material now, but at the time of its release, he played it with spirit, energy and affection. The first time I ever saw Seger, he played one set with the System, one set alone, doing much of the Brand New Morning material, and a third set with Teegarden and Van Winkle. Later, as the System fully disbanded, he would open a show with an acoustic set, and then bring out Teegarden and Van Winkle for the second set. Clearly, these Brand New Morning songs were more than cast-off demos slapped onto an album by Capitol.

Standout cuts
The title cut is a clear standout: almost 30 years later, it's energy and optimism are still strong. I never get tired of it.

All of Side Two, to my thinking, is standout material; had some of this been recorded with a band, it could have had commerical appeal, potentially.

And without a doubt, Brand New Morning contains one of Seger's best songs ever: "Railroad Days." In subject matter and form, it is a near-perfect precursor to "Night Moves." Both are a look back at a younger, more innocent time of life. (One looks back on "Days" the other on "Nights.")

"Railroad Days" goes back further into childhood, however. The lyrics touch on playing baseball and "singing songs to the darkness of the night. We even sang the parts the instruments were playing / We were young, and dreams were really quite all right."

Near the end of the song, we shift to present time. The music stops except for a few slow guitar chords. Seger sings: "Yesterday, I heard they shut the trains down." Slowly the song builds back up into its previous rhythm. The format is quite like "Night Moves" but "Railroad Days" is very much its own song. The vocals are chillingl, superb and pure Seger.

Other standout cuts are "Louise" (" she was an outlaw in the year of '71") and "Something Like" ("...something like loving / everything about a woman / all the bad things too / she can't change for you..."). Hopefully these will turn up on a boxed set someday...probably the same day the sea turns to lemonade and world hunger ends.

"Song for Him" is one of the only Seger song I'm aware of with a prominent religious theme. Seger, the self-described "lonely one" sings:

I've been lonely
But not lonelier than Him

When I'm lonely, still I know

He'll forgive me, yes it's so.

What's most beautiful about this song is the way Seger absolutely yet sincerely wails these lyrics -- it's head-back, heartfelt, full-on emotion. The vocals tap straight and true into Seger's genius. Thinking about how many people haven't heard this song, I remember how lucky I am.

Editorial comment: There's legion's of people out there who play "You'll Accomp'ny Me" or "We've Got Tonight" at weddings, etc. That's swell, I guess...but it would take a hundred "We've Got Tonight's" to even come close to the emotional power of "Song for Him." What I'm trying to say here is that the material on Brand New Morning has real power...it's geniune and unpolished and there aren't too many hooks, and no drums, no backing vocals...and so of course it didn't ever get played on the radio and never reached much of an audience. But just this morning I turned the volume knob up to 8 and listened to the album again and was blown away...thirty years, practically, after its release. It's that good. Get it, if you can.

Track listing

All songs written by Bob Seger

1. "Brand New Morning" – 3:23
2. "Maybe Today" – 3:16
3. "Sometimes" – 5:16
4. "You Know Who You Are" – 3:20
5. "Railroad Days" – 6:58
6. "Louise" – 2:52
7. "Song for Him" – 4:39
8. "Something Like" – 3:34

http://rapidshare.com/files/141679833/1971_-_Brand_New_Morning.rar

Mongrel - Bob Seger System - 1970.



















Most artists that deliver a second record as shaky as Noah fold on their third album. Not Bob Seger. He reasserted control of the System, consigning Tom Neme to a fanboy's footnote, and returning the group to the piledriving rock that was his trademark. All of this was evident with his third album, the superb Mongrel. Never before, and never since, has Seger rocked as recklessly and viciously as he did here -- after a spell in the wilderness, he's found his voice. He's so assured, he elevates his Ramblin' Gamblin' Man characters Lucy Blue and Chicago Green to mythic status in the pulverizing "Lucifer," perhaps the greatest song on this lean, muscular record. That assurance carries over not just through the ferocious rockers that dominate the album -- "Evil Edna," "Highway Child," "Leanin on My Dream," and "Song to Rufus" all hit harder than latter-day MC5 -- but to quieter moments like "Big River," where he first hits upon the wistful, passionate ballad style later popularized with "Night Moves." The fact that the System connects on both illustrates that Seger is not just fronting an excellent band, but that he's developing into a first-class songwriter. Put it this way -- the only time the System sounds ill at ease is when they tackle "River Deep - Mountain High," and that's not because they're ill-suited to the epic -- it's because they find the lie in the song's artificial pretensions and deliver a performance that eclipses the song itself. That two-fisted punch of terrific performances and songs is unexpected, especially after an album as conflicted as Noah, but the truly remarkable thing is that Mongrel showcases a band so powerful and a songwriter so distinctive, that it still sounds white-hot decades after its release.

Track listing

All songs written by Bob Seger, except where noted

1. "Song to Rufus" – 2:46
2. "Evil Edna" – 3:12
3. "Highway Child" – 2:50
4. "Big River" – 3:10
5. "Mongrel" – 2:22
6. "Lucifer" – 2:27
7. "Teachin' Blues" – 2:01
8. "Leanin on My Dream" – 3:17
9. "Mongrel Too" – 4:09
10. "River Deep, Mountain High" (Jeff Barry, Ellie Greenwich, Phil Spector) – 7:24













Mongrel was promoted with full-page ads showing Seger onstage, with the headline, "Mongrel is a bitch!" The slogan is unexplained -- although I suppose there's a clever dog reference there. I just take it to mean Mongrel rocks, which it does.

http://rapidshare.com/files/141683656/1970_-_Mongrel.rar

Noah - The Bob Seger System - 1970.




















For reasons never entirely explained, Bob Seger suffered a bit of a breakdown shortly after Ramblin' Gamblin' Man, so he decided to bring Tom Neme, a guitarist/pianist, into the Bob Seger System to help lighten the load and share the burden. Thing is, Neme wound up taking over the band. It's hard to tell whether Seger endorsed his mutiny or if he was just so disinterested that he didn't put up a fight, but all the same, the second Seger album, Noah, is one strange affair. The band makes no secret of the change, stating on the back cover that "Seger will always be Bob Seger, (but) any change must come from the System and Tom Neme." So, the liner notes seem like a way to gloss over a real lack of leadership or a coup, depending on your point of view. This release holds together better than it would seem, but it's still an awkward album that's never sure where it wants to go. Ironically, Neme tries to replicate Seger's hard-driving rock songs several times throughout the album while Seger sounds more comfortable with the folky shuffle of the title track. Of course, he can still tear it up with "Innervenus Eyes," and he delves deeper into darkness than he ever has with the weirdly intense, claustrophobic closer, "Death Row." No matter how good these individual cuts may be -- and they're certainly worth the time of any devoted fan -- they still are isolated moments on the only album where he sounds tentative, confused, and disinterested. In other words, the only album where Seger doesn't seem like he'll always be Seger.

Track listing

1. "Noah" (Bob Seger) – 3:02
2. "Innervenus Eyes" (Dan Honaker, Pep Perrine, Seger) – 2:48
3. "Lonely Man" (Tom Neme) – 3:14
4. "Loneliness Is a Feeling" (Neme) – 3:03
5. "Cat" (Honaker, Perrine, Seger) – 6:20
6. "Jumpin' Humpin' Hip Hypocrite" (Neme) – 3:13
7. "Follow the Children" (Neme) – 3:28
8. "Johnson, Lennie" (Honaker) – 3:04
9. "Paint Them a Picture Jane" (Neme) – 4:08
10. "Death Row" (Seger) – 2:59

http://rapidshare.com/files/141686980/1969_-_Noah.rar

Ramblin' Gamblin' Man - The Bob Seger System - 1969.

































The Bob Seger System throw everything into Rambin' Gamblin' Man , dabbling in folk, blues-rock, psychedelia, and piledriving rock & roll synonymous with Detroit. Typical of such a wide-ranging debut, not everything works. The System stumbles when they take psychedelic San Franciscan bands on their own turf. Trippy soundscapes like "Gone" drift into the ether, and the longer jams, "White Wall" and "Black Eyed Girl," meander. But the stuff that does work are absolute monsters, highlighted by the title track, a thunderous bit of self-mythology driven by a relentless rhythm, wailing organ riff, and gospel chorus. It's a stunningly great record and while nothing here quite equals it; the songs that come close (with the exception of "Train Man," the first inkling of Seger's knack for reflective, intimate ballads) are sterling examples of spare, bluesy, angry Michigan rock & roll. "Tales of Lucy Blue" has a spooky, menacing edge, "Ivory" a great Motown-styled raver, and "Down Home" rides a manic riff and a simple blues harp to be one of the best rockers on the record. Then there's "2 +2 = ?," a ferocious anti-war song in the vein of Creedence Clearwater Revival 's "Fortunate Son," but here Seger can't imagine why the nice guy in high school is now buried in the mud. It's a frightening, visceral song that stands among the best anti-Vietnam protests. Finally, the album closes with "The Last Song (Love Needs to Be Loved)," an unabashed peace, love, 'n'' understanding anthem styled in the manner of West Coast hippie pop, particularly Love. It's atypical of anything on the album or anything Seger would ever do again, but in many ways, it's the perfect way to close an exciting, flawed debut that winds up being a symbol of its times by its very diversity.

















The original title was "Tales of Lucy Blue," hence the cover photo. The cover, which features a woman covered in a robe, originally depicted the nude from Botticelli's The Birth of Venus; this was rejected by Capitol Records executive Richard Fineman (who is the "Dr. Fine" sarcastically thanked in the back cover credits).

Track listing

all songs written by Bob Seger, except where noted

1. "Ramblin' Gamblin' Man" – 2:21
2. "Tales of Lucy Blue" – 2:28
3. "Ivory" – 2:23
4. "Gone" (Dan Honaker, Seger) – 3:28
5. "Down Home" – 3:01
6. "Train Man" – 4:06
7. "White Wall" – 5:20
8. "Black Eyed Girl" – 6:33
9. "2+2=?" – 2:49
10. "Doctor Fine" – 1:05
11. "The Last Song (Love Needs to Be Loved)" – 3:04

http://rapidshare.com/files/141690240/1969-__Ramblin__Gamblin__Man.rar

Walk Right In...To My Party! 1965
























This is an original and exciting collection of South Africa Beat Music, edited in 1965 on LP EMI-Parlophone (PMCJ 12026). See back cover for details and... HAVE FUN!

Walk_Right_In_To_My_Party.rar

Friday, February 6, 2009

The Clash - D.O.A. - Demos, Outtakes, Alternates.







Perhaps the ultimate collection of Clash rarities. Taking you right through their career. From the first sessions for Polydor in late 1976, right up to the outtake for the Janie Jones single in 1982. Along with Clash On Broadway Outtakes and The Rat Patrol you almost have all The Clash demos, outtakes and alternates. The versions here are the excellent quality ones, probably taken straight from the master tapes that now reside in the vaults of Polydor. The Micky Foote demos are another set of first album songs, along with the interesting Janie Jones instrumental and the studio chatter in the background. The highlights of this double disc set for me are the alternate studio mixes of White Man, Clash City Rockers (which I believe is superior to the official version), The Prisoner, 1-2 Crush On You and Pressure Drop. The promo video shoot tracks are also excellent, and are the best alternate versions of White Riot and 1977 (1977 is simply amazing.) The band are on fire for those tracks.

You'll notice this compilation serves as a very handy substitute for London's Burning and For All The Young Punks. The 'Rope demos here are of much better quality. In fact, we almost have all the album. Then of course the interesting soundcheck rarities. Muddy Water's Baby Please Don't Go is a great one, very rocking, and there are also a couple of London Calling era songs that are also on Pier Pressure. The Sandinista! outtakes are nothing new, though it is thought that it's Norman Watt-Roy on bass for King Of The Road, as he replaced Paul (who was off shooting a film in Canada) for much of the Sandinista! sessions. The Revolution Rock instrumental is a good song to have, and pretty rare also. A song I heard here first of all was the Cool Confusion alternate mix, which is actually pretty good. The addition of drums in the mix makes a big difference.

So all in all, this richly deserves a 10. I've sort of glossed over the details a lot but the songs speak for themselves really. Adam Headland (Clash On Tour) has done a good job gathering together all the loose ends of Clash studio rarities. These all seem to be the best quality sources as well. I'll also mention the What's My Name live track. Not strictly a demo or anything, but just included for fun I think. It's the same song as the famous video where Joe turns to the camera: "Here we are on TV, what does it mean to you? What does it mean to me? ... F@#$ Off!" A nice addition to the compilation. Highly recommended, all Clash fans must have this.

Disc 1
Polydor Demos:
01 - Career Opportunities
02 - White Riot
03 - Janie Jones
04 - London's Burning
05 - 1977

Micky Foote Demos:
06 - Preamble
07 - I'm So Bored With The U.S.A.
08 - London's Burning
09 - White Riot [take 1]
10 - White Riot [take 2]
11 - Career Opportunities
12 - 1977
13 - Janie Jones [instrumental]

Film Soundtrack Demos:
14 - Heartbreak Hotel [take 1]
15 - Heartbreak Hotel [take 2]

Promo Video Shoot:
16 - 1977
17 - White Riot
18 - London's Burning
19 - 1977 [alternate mix]
20 - White Riot [alternate mix]

Elisabethan Suite Outtake:
21 - What's My Name

Rude Boy Rehearsal:
22 - Garageland

Rock Against Racism track:
23 - (White Man) In Hammersmith Palais

Alternate Mixes:
24 - Clash City Rockers
25 - The Prisoner

B-Side Outtakes:
26 - 1-2 Crush On You
27 - Pressure Drop
28 - The Prisoner

British TV Outtakes:
29 - Clash City Rockers
30 - Tommy Gun
31 - Israelites

Disc 2
'Rope Demos:
01 - All The Young Punks
02 - Safe European Home
03 - Drug-Stabbing Time
04 - Julie's Been Working For The Drug Squad
05 - Stay Free
06 - Groovy Times
07 - Last Gang In Town
08 - Ooh Baby Ooh (It's Not Over)
09 - One Emotion

'Rope Outtakes:
10 - All The Young Punks
11 - Stay Free

London Calling era soundcheck:
12 - Baby Please Don't Go
13 - Roadrunner

London Calling rehearsal:
14 - Mona
15 - You Can't Judge A Book

London Calling Outtake:
16 - Revolution Rock [instrumental]

Sandinista! Outtakes:
17 - King Of The Road
18 - Blonde Rock And Roll
19 - Louie Louie

Combat Rock Outtakes:
20 - Know Your Rights
21 - Overpowered By Funk (instrumental)

Combat Rock Alternate Mix:
22 - Cool Confusion

Janie Jones Demo:
23 - House Of The Ju Ju Queen

Joe Strummer Unreleased Song:
24 - In The Pouring Rain

http://rapidshare.com/files/142830883/doa_disk1.rar
http://rapidshare.com/files/142836798/doa_disk2.rar

Wednesday, February 4, 2009

Let It Bleed Sessions - Rolling Stones - 1969.
































Brian Jones' death and the entry of Mick Taylor cast a shadow over this LP, making it as haunting as it is inspired. The wavering opening notes of "Gimme Shelter" and Keith's vocal on "You Got The Silver" are some of rock's finest moments. Part backwoods blues, part gospel epic, this is a dirty, life-saving record.

It begins with a storm rolling in, shattering glass heralding murder and rape, blowing away the defenses that smaller men than Mick Jagger build for themselves. "Gimme Shelter" isn't just the best song the Stones ever recorded - it's a howling force of nature so powerful that the National Weather Service should track it on radar. Let It Bleed was recorded as the 1960s were
collapsing. The Rolling Stones were in turmoil. Original guitarist Brian Jones played just a little percussion and autoharp on the album (he left the group and died during the sessions), and new guitarist Mick Taylor filled in on two tracks. Ry Cooder and Al Kooper appear, but Charlie Watts doesn't even drum on "You Can't Always Get What You Want." Keith Richards took lead vocals on "You Got the Silver" because an engineer accidentally erased Jagger's version. Amid the chaos, Richards played more guitar than ever and made sure the album had everything the Stones were best at: deep blues ("Love in Vain"), twisted country ("Country Honk") and gutbucket rock ("Monkey Man").This is the sound of the world coming to an end. "Let It Bleed" offers sympathy, in that slutty, decadent way that was the Stones' specialty ("You can bleed on me"). Then comes "Midnight Rambler," which Jagger sings like a stalker ready to stab you in the throat. Whether it was spiritual, menstrual or visceral, the Stones made sure you went home covered in blood.

Disc 1
01 Aladdin story (instrumental)
02 All down the line (acoustic, correct speed)
03 Country honk (without fiddle-honkcar)
04 Dancing in the light (instrumental)
05 Gimme shelter (#2)
06 Gimme shelter (Keith vocal)
07 Hip shake
08 Honky tonk women (correct speed)
09 I ain't lying (blues jam)
10 I don't care
11 I don't know why
12 I'm going down II (correct speed)
13 Jiving sister Fanny II (correct speed)

Disc 2
01 Leather jacket (instrumental, correct speed)
02 Loving cup (early take, instrumental)
03 Loving cup (electric)
04 Loving cup I
05 Potted shrimp (instrumental)
06 Shake your hip (#1)
07 Shine a light
08 Stop breaking down
09 Sweet Virginia
10 Trident jam (instrumental)
11 Who am I(See i love you)
12 You can't always get what you want (without the Choir intro)
13 You got the silver (Mick Jagger vocal)



http://www.badongo.com/pt/file/3259858

http://www.badongo.com/pt/file/3260304

Tuesday, February 3, 2009

You Can Call Me Superfly!




















This is one of the better compilations I've picked up in awhile. Definetly the best of what's going around now. All the songs are deliciously juicy. The tempos vary but it's all head boppin'- ye know when the groove gets in you? I knew a few songs off the album before I listened to it and the rest of the album is great. Almost every tune is madness.

This is a great way to sample a large range of funk. This is REAL funk, besides the same James Brown and George Clinton songs you've heard over and over. Not to say that those two guys aren't important to how funk came about but they are just the snowflake at the tip of the iceberg. This collection (and I highly recommend the second collection as well) will give you a feel of what exists under the tip of the iceberg. Great, great selection and hours of stellar off-the-radar funk. Do yourself a favor and discover funk once more.

CD1
1 Bobby Womack - Across 110th Street
2 Sound Experience – It’s A Funk Thing
3 Ike & Tina Turner – Cussin’, Cryin’ And Carryin’ On
4 Jimmy Mcgriff - Dig On It
5 Curtis Mayfield - Pusherman
6 Lightnin’ Rod - Sport
7 Ann Sexton – You’re Losing Me
8 Gil Scott-Heron - The Bottle
9 Joe Thomas - Thank You (Fallettin’ Me Be Mice Elf Again)
10 Eddie Bo - If It’s Good To You (It’s Good For You) Part 1
11 S.O.U.L. - The Joneses Part 1
12 The Backyard Heavies – Chitlin’ Strut
13 David Batiste & The Gladiators - Funky Soul Part 1
14 Sir Joe Quarterman & Free Soul - The Way They Do My Life
15 Richard “Groove” Holmes - Flyjack
16 Chuck Brooks - Behind Closed Doors
17 The Notations - Superpeople
18 O’donel Levy - Bad Bad Simba

CD2
1 Patti Jo - Make Me Believe In You
2 Curtis Mayfield – Freddie’s Dead
3 Maceo And All The King’s Men - Better Half
4 Betty Harris – There’s A Break In The Road
5 Moody Scott - (We Gotta) Bust Out Of The Ghetto Part 1
6 Jamo Thomas – Jamo’s Soul
7 Timmy Norman And The O’Jahs - Let It All Hang Out
8 Ike Turner & The Kings Of Rhythm - Thinking Black
9 The Skullsnaps – It’s A New Day
10 Dawson Smith - I Don’t Know If I Can Make It Part 1
11 J. J. Johnson & His Orchestra - Harlem Clavinette
12 Lloyd Price - They Get Down
13 Ramon Morris - Sweet Sister Funk
14 Rasputin's Stash - The Devil Made Me Do It
15 General Crook - Fever In The Funkhouse
16 Reuben Wilson - Superfly
17 Sound Experience - 40 Acres And A Mule
18 Curley Moore & The Kool Ones - Funky, Yeah
19 The Afro-American Ensemble - Gone Is The Laughter Of You

http://www.sendspace.com/file/6xylhc

The Best of Blaxploitation



















This is an extraordinarily solid collection of classic urban rhythm and blues, ranging from well-known hits like Curtis Mayfield's "Superfly" to underground gems like Gil Scott Heron's "The Bottle." There's lots of music (over 2 1/2 hours), it's well sequenced, and the sound quality is excellent. One of the joys of this sort of music is staying with the groove, and you get long versions of quite a few of the tracks, including the 10-minute take of "Papa Was a Rolling Stone."

A culmination of the innner city spirit, containing a myriad of soul classics and hard to find cuts. From jazz filled instrumentals backed by driving baselines, such as Deodato's "September 13th", to the smooth baritone and rolling drum crescendos of Gil Scott Heron's "Gun" this album captures the essence of an era. Classics, such as Mayfield's "Superfly" or James Brown's "The Boss" are only part of the mosaic which constitutes this collection. William De Vaughan's "Be Thankful for What You Got" reminds me of classic cruising beats like War's "Low Rider" and Grover Washington Jr.'s "Inner City Blues (Make Me Wanna Holler)" with it's pumping beat, hard baseline, and wailing saxaphone will cause even the most stiff head to begin bobbing. Many tracks contained on this album have continued their legacy, spawning the samples of todays hip-hop culture. Overall, The Best of Blaxploitation is a must have, enjoyable listening from the first track to the last, and never ending replay value. You will not be disappointed.

Tracklist:
CD1
1 James Brown - The Boss
2 Cymande - Brothers On The Slide
3 Kool & The Gang - Jungle Boogie
4 Marvin Gaye - 'T' Plays It Cool
5 Curtis Mayfield - Freddie's Dead
6 Syl Johnson - Different Strokes
7 Lightnin' Rod - Sport
8 The Last Poets - It's A Trip
9 The Politicians feat. McKinley Jackson - The World We Live In
10 Ike Turner's Kings Of Rhythm - Funky Mule
11 Joe Tex - I Gotcha
12 Mavis Staples - Chocolate City
13 Pee Wee Ellis - Moonwalk
14 The Meters - Tippi Toes
15 Gil Scott-Heron with Brian Jackson - Back Home

CD2
1 Curtis Mayfield - Superfly
2 Eddie Kendricks - My People...Hold On
3 The Temptations - Papa Was A Rollin' Stone
4 Aaron Neville - Hercules
5 Cymande - Bra
6 The Notations - Super People
7 Maceo & All The Kings Men - Thank You For Letting Me Be Myself Again
8 Johnny Pate - Brother On The Run
9 Syl Johnson - Concrete Reservation
10 Ohio Players - It's A Cryin' Shame
11 The Rimshots - Neighbour! Get Your Own
12 Maceo & All The Kings Men - (I Remember) Mr. Banks
13 Ripple - Get Off
14 The Meters - Funky Miracle
15 Lee Dorsey - Yes We Can Can

CD3
1 The Last Poets - When The Revolution Comes
2 Gil Scott-Heron with Brian Jackson - The Bottle
3 Curtis Mayfield - Move On Up (live)
4 Sir Joe Quaterman & Free Soul - (I've Got) So Much Trouble On My Mind
5 The Whatnauts - Why Can't People Be Colors Too?
6 Ripple - A Funky Song
7 Mickey Murray - Mama's Got The Wagon
8 Alvin Cash - Doin' The Ali Shuffle
9 Sir Joe Quaterman & Free Soul - Give Me Back My Freedom
10 Ike & Tina Turner - Livin' For The City
11 Ohio Players - Cold, Cold World
12 Pee Wee Ellis - That Thang
13 Moody Scott - (We Gotta) Bust Out Of The Ghetto
14 Backyard Heavies - Soul Junction
15 Leroy Hutson - Cool Out

CD1:
http://www.filesend.net/download.php?f=df0b8ae258c6e3640db547aec3050b6e

CD2:
http://www.filesend.net/download.php?f=c4d56852679c2061c96366ff246f3bec

CD3:
http://rapidshare.com/files/96862366/VATBOB06-3.rar
password: MOODSWINGS